42: The Answer to Almost Everything

Children are often afraid of the dark or of monsters under the bed. These fears are not only a natural part of their development, but also an opportunity to grow.

Are we happier when we live a healthy life? Or does being happy make us healthy?

Ex-footballer turned anti-poverty activist Neven Subotić discusses the books that changed his life.

Absurd images have invaded our social media apps. But is this ‘brain rot’ an interesting aesthetic? Or just mindless content?

What do dreams do to us? Twist meets artists to talk about the creative power of dreams and dreaming.

Ronja meets ex-player Kevin Pannewitz, who was kicked out of professional football due to lack of discipline

We have released so many toxic chemicals that we have caused existential damage to our ecosystem.

More and more people complain of digestive disorders related to gluten, lactose, or fructose.

Hydrogen is considered the oil of the future. An increasing number of cities are attempting to inject it into their gas networks.

Ordinary civilians are now preparing for war by volunteering for the Latvian National Guard in large numbers.

Arguing can be painful, but it can also clear the air, resolve underlying issues, and strengthen relationships. 

Many artists and creative people feel they don't deserve their success. Are we all just faking it until we make it? 

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

Jean-Michel Jarre sets up his equipment on Seville's Plaza de España for an immersive concert-show.

Each candidate has 40 minutes to practice with the orchestra before performing two pieces. Who will impress the judges?

An old man swims in the sea. As he moves through the water, memories resurface... 

The US has pulled almost all its funding just as Ukraine is entering its fifth year of war. Can the EU plug the gap?

The four finalists must interpret works by Stravinsky and Ravel. Who will win?

In the semi finals , each candidate has 40 minutes to practice with the orchestra before conducting two pieces.