In Conversation with François Ozon

Opened in 1932, the art deco cinema is a major venue for film premieres with its huge auditorium.

Whether plagiarism of homage, fan art is in keeping with artforms through the centuries.

The story of a wealthy man saving a ‘fallen’ woman has become a cliché (Pretty Woman, Anora), far from the reality of prostitution. But what if sex workers told their own stories through art?

A look back at the career of Juliette Binoche, a film actor who has often portrayed fragile yet combative heroines.

The French actress looks back on her international career with fervour and precision.

Justine Triet's films form a turbulent body of work depicting urban and contemporary France.

Louis Garrel reflects on “The Innocent”, blending his cinematic passions as actor and director.

Juliette Binoche talks widely on her impressive and varied career as an actress and her work with great directors.

Speaking to Michael Haneke about his films for cinema and television.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Using the latest technology, researchers are discovering the bright colours of ancient Greek art and architecture.  

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

42-year-old Armen Grigoryan is the youngest barber in the timeless atmosphere of the oldest barbershop in Armenia.

In Romania, the Social Democrats joined forces with the far right to bring down the pro-European government. Elsewhere, certain mainstream parties are considering deals, or already cooperating, with parties seen as "radical".

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

Ancient Greek statues are white, pure and classical, just like the marble they are carved from. False. These statues were painted in fabulous bright colours. Archaeologists and art academics have known this for centuries so why does the white myth endure?

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?