In Conversation with Juliette Binoche

The French actress looks back on her international career with fervour and precision.

Justine Triet's films form a turbulent body of work depicting urban and contemporary France.

Louis Garrel reflects on “The Innocent”, blending his cinematic passions as actor and director.

Juliette Binoche talks widely on her impressive and varied career as an actress and her work with great directors.

Speaking to Michael Haneke about his films for cinema and television.

Actress and director Hafsia Herzi looks back at a career filled with choices, constraints and hope.

Filmmaker François Ozon explores life’s mysteries through comedies, dramas and strange tales.

An interview with Danish-Norwegian filmmaker Joachim Trier, author of Sentimental Value, winner of Best International Feature at the Oscars.

Lucile Hadzilalilovic on mystery, beauty and winning silver at the 2025 Berlinale 2025 for “The Tower of Ice”.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Using the latest technology, researchers are discovering the bright colours of ancient Greek art and architecture.  

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

42-year-old Armen Grigoryan is the youngest barber in the timeless atmosphere of the oldest barbershop in Armenia.

In Romania, the Social Democrats joined forces with the far right to bring down the pro-European government. Elsewhere, certain mainstream parties are considering deals, or already cooperating, with parties seen as "radical".

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

Ancient Greek statues are white, pure and classical, just like the marble they are carved from. False. These statues were painted in fabulous bright colours. Archaeologists and art academics have known this for centuries so why does the white myth endure?