Azzedine Alaïa

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

Hair and nails, glitter and gloss, short skirts... Generation Z is reclaiming long-discredited stereotypes and reinventing women's fashion

Italian artist Piero Manzoni sold tins of his own poop

A trip to Naples to discover the centuries’ old Feminielli; a unique queer identity. 

From London to Amsterdam, the Eastern Margins collective is raising the temperature in the Asian alternative scene.

The story of a wealthy man saving a ‘fallen’ woman has become a cliché (Pretty Woman, Anora), far from the reality of prostitution. But what if sex workers told their own stories through art?

Coupé-Décalé got the world dancing in the early 2000s. Today, its little brother, biama, is going through the roof.

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Schumann, Prokofiev and Mozart are on the programme with pianist Elisabeth Leonskaja as soloist, conducted by Iván Fischer.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.