Beethoven: Piano Concerto No. 1 in C Major

Schumann, Prokofiev and Mozart are on the programme with pianist Elisabeth Leonskaja as soloist, conducted by Iván Fischer.

A performance of Khatchaturian’s virtuosic violin concerto and Stravinsky’s ground-breaking The Rite of Spring.

The Strasbourg Philharmonic Orchestra, conducted by Aziz Shokhakimov performs Ravel's singular work with Anna Vinnitskaya as soloist.

By the Orchestra and Choir of the Gran Teatre del Liceu, a magnificent performance of Mozart's Requiem at the Sagrada Família.

The Orchestre National de France, conducted by Cristian Măcelaru, perform Brahms Symphony No. 1 and Beethoven’s Violin Concerto.

The Dutch composer and pianist invites you into the subtle world of his new album "Liminal".

A Spanish-themed concert from the Orchestre National de France with works by Rimsky-Korsakov, Bizet, and María Rodrigo.

The Hradec Králové Philharmonic performs music by Brahms and Dvořák, conducted by Stanislav Vavřínek.

Two years after her triumph at the La Maestra conducting competition, Bar Avni is back on the podium in Paris.

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Schumann, Prokofiev and Mozart are on the programme with pianist Elisabeth Leonskaja as soloist, conducted by Iván Fischer.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?