Elīna Garanča

The Orchestre Philharmonique de Radio France joins forces with Quebec counter-alto Marie-Nicole Lemieux.

Schumann, Prokofiev and Mozart are on the programme with pianist Elisabeth Leonskaja as soloist, conducted by Iván Fischer.

The Hradec Králové Philharmonic performs music by Brahms and Dvořák, conducted by Stanislav Vavřínek.

This rising star of French music returns to her album ‘La symphonie des éclairs,’ acccompanied by the Orchestre National de Lyon.

Jazz revelation Samara Joy has her Parisian audience spellbound.

Portrait of a revered conductor and pioneer of historically informed performance, as he celebrates his eightieth birthday.

A concert filled with fervour from the neoclassical piano maestro.

A journey through the history of the piano: iconic works, masterfully interpreted by exceptional artists in venues across Europe.

By the Orchestra and Choir of the Gran Teatre del Liceu, a magnificent performance of Mozart's Requiem at the Sagrada Família.

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.

Cologne, Autumn 1944: In the bombed-out city, a small group of young people put up armed resistance against the Nazi regime

Audio pornography leaves room for the imagination while arousing the listener with erotic stories

An odyssey through Iran in search of a lost father for one Tehrani teenager and her friends.

Does wealth make you happy? Or maybe true wealth is having nothing at all?

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

Art and nature with adventurer Lise Wortley, photographer Max Fischer, The Walk Productions and artist and runner Vincent Dogna.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

Some Paleolithic burials are exceptional. Dated around 25,000 BC, they are far more complex and decorative than we usually give the era credit for.

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?