The Work Crisis (3/4)

Jagoda Marinić visits Poland to see how feelings of pride affects Polish society in contrasting ways.

When Rémi went to study in Berlin, he promised himself he wouldn’t leave before having a night out at the city's most famous club.

Blind from birth, Richard defends the right of disabled people in Bolivia to live with dignity

Director, screenwriter and comedian, Marilyne Canto wanted show how peace between Israelis and Palestinians is possible, despite the pessimism that rules global news headlines

We talk about the plastic surgery craze with French plastic surgeons Mauricio de Maio and Oren Marco and philosopher Heather Widdows.

Artificial intelligence is reshaping the linguistic landscape.

For James Bridle our obsession with AI could allow us to recognise the many forms of non-human intelligence.

In 2007, Franco-Afghan filmmaker Barmak Akram directed Kabuli Kid, a film about an abandoned baby. That baby actor is now nine. Akram goes back to Kabul to meet him 

How much autonomy does a region need? What issues are Catalonians worried about?

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.

Cologne, Autumn 1944: In the bombed-out city, a small group of young people put up armed resistance against the Nazi regime

Audio pornography leaves room for the imagination while arousing the listener with erotic stories

Does wealth make you happy? Or maybe true wealth is having nothing at all?

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

Art and nature with adventurer Lise Wortley, photographer Max Fischer, The Walk Productions and artist and runner Vincent Dogna.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

Some Paleolithic burials are exceptional. Dated around 25,000 BC, they are far more complex and decorative than we usually give the era credit for.

An odyssey through Iran in search of a lost father for one Tehrani teenager and her friends.

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?