ARTE Reportage

In eastern Poland, on the border with Belarus, the Bialowieza Forest is at the heart of an intense migratory and geopolitical crisis. 

Citizens of North Korea trying to flee the country risk their lives as China hunts them down.

Welcome to the Hotel Arbez, it’s a lovely place straddling the Franco-Swiss border.

 Artists Satch Hoyt and Juan Covelli challenge colonial narratives and spark debate about the restitution of cultural artefacts.

Why are hundreds of French people moving to illegal Israeli settlements in the West Bank? Data Sources investigates.

With geopolitical tensions and the war in Ukraine, European countries are looking to bolster their military forces. But are young people willing to take up arms?

In the West Bank the brutal reality of the Israeli occupation is clear: Dozens of Palestinian children are gunned down each year by the Israeli army and police.

NASA images reveal that Africa is a global wildfire hotspot.

Mexico and the US are now determined to finally break the power of the cartels.

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.

Cologne, Autumn 1944: In the bombed-out city, a small group of young people put up armed resistance against the Nazi regime

Audio pornography leaves room for the imagination while arousing the listener with erotic stories

An odyssey through Iran in search of a lost father for one Tehrani teenager and her friends.

Does wealth make you happy? Or maybe true wealth is having nothing at all?

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

Art and nature with adventurer Lise Wortley, photographer Max Fischer, The Walk Productions and artist and runner Vincent Dogna.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

Some Paleolithic burials are exceptional. Dated around 25,000 BC, they are far more complex and decorative than we usually give the era credit for.

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?