The burden for contraception in heterosexual couples falls almost exclusively on women. When will they develop a male contraceptive pill? And why don’t more men have a vasectomy?

Nearly 20,000 Ukrainian children are thought to have been abducted and taken to Russia.

 From Ancient Greece and Rome to 17th century England, this episode shows how privacy is closely linked to power, technology, social inequality and freedom.

 What measures need to be taken to make sure everyone is protected from extreme heat?

Art and nature with adventurer Lise Wortley, photographer Max Fischer, The Walk Productions and artist and runner Vincent Dogna.

The Lucerne Festival Orchestra perform Sergei Rachmaninoff's Piano Concerto No. 4, with pianist Lukas Sternath as soloist.

The story behind some of the most famous portraits taken by photographer Stéphane Lavoué

With the men at the front, women have taken over crucial jobs in Ukraine’s coal mining industry.

The Donut Daddy makes a doughnut on TikTok. Is this pornography or a cooking lesson?

Only the Poets perform from their debut studio album And I’d Do It Again at the LitPop Party in Leipzig.

The photo of the Venezuelan president captured like a common criminal shocked the world and revealed US imperialism in the Americas.

The flayed ox reminds us that death waits for us all.

With European elections pending ARTE meets Europeans who have taken advantage of one of the chief benefits of the European Union: Freedom of Movement.

In a democratic society, decisions are taken on the basis of free will. But is this really always the case? 

It is thought around 20,000 Ukrainian children living in the occupied regions have been taken to Russia. 

The post-war period meant repression of the losing side and deep divisions often split families right down the middle.  

After more than fifty years of dictatorship, Ahmed al-Sharaa has taken the reins of a devastated state.

Gisèle Pelicot has become a symbol of feminism in street art.

One year after the attack of 7th October 2023, Israeli filmmaker Ori Szternfeld reflects on the aftermath.

In the desperate and dangerous Crackland of São Paulo, a clown is trying to help the most vulnerable.