Classes and Coaching #2

The programme includes lessons in classical dance for the girls in Group A (15-16 years) and coaching in contemporary variations for the boys in Group B (17-18 years).

An afternoon with the girls of group B (17-18 years) followed by the boys of group A (15-16 years).

First look at the candidates for the Prix de Lausanne 2026

Classes and coaching, classical and contemporary, this third afternoon brings together all the diversity and excitement of the Prix de Lausanne

On this last morning before the selections, a last opportunity to work on details before things get serious.

The Cantoría performs Tomás Luis de Victoria's Tenebræ Responsoria in the Basilica of San Miguel.

The Orchestre de la Suisse romande and Zofia Kiniorska put women composers in the spotlight.

The Estonian duo modernising the Talharpa, a traditional Northern European instrument.

The ESNS festival is rocked by the neo-soul of Swiss diva NNAVY.

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?