Classes and Coaching #6

On this last morning before the selections, a last opportunity to work on details before things get serious.

Last classes and coaching sessions before selections begin for the 54th Prix de Lausanne.

A morning of classical dance for all the candidates of the prestigious dance competition.

The first afternoon at the 54th Prix de Lausanne focuses on the 17-18 year-old candidates and the ballet classes. 

An afternoon with the girls of group B (17-18 years) followed by the boys of group A (15-16 years).

The Orchestre de la Suisse romande and Zofia Kiniorska put women composers in the spotlight.

A living legend of the American avant-garde in a concert as demanding as it is generous.

The Cantoría performs Tomás Luis de Victoria's Tenebræ Responsoria in the Basilica of San Miguel.

Inspired by 19th century Spain’s cigar makers, Humo pays tribute to these women in dance and song.

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

Opened in 1932, the art deco cinema is a major venue for film premieres with its huge auditorium.

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?