Classes and Coaching #2

The programme includes lessons in classical dance for the girls in Group A (15-16 years) and coaching in contemporary variations for the boys in Group B (17-18 years).

An afternoon with the girls of group B (17-18 years) followed by the boys of group A (15-16 years).

First look at the candidates for the Prix de Lausanne 2026

Classes and coaching, classical and contemporary, this third afternoon brings together all the diversity and excitement of the Prix de Lausanne

On this last morning before the selections, a last opportunity to work on details before things get serious.

The Orchestre de la Suisse romande and Zofia Kiniorska put women composers in the spotlight.

The Cantoría performs Tomás Luis de Victoria's Tenebræ Responsoria in the Basilica of San Miguel.

The Estonian duo modernising the Talharpa, a traditional Northern European instrument.

The ESNS festival is rocked by the neo-soul of Swiss diva NNAVY.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Using the latest technology, researchers are discovering the bright colours of ancient Greek art and architecture.  

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

42-year-old Armen Grigoryan is the youngest barber in the timeless atmosphere of the oldest barbershop in Armenia.

In Romania, the Social Democrats joined forces with the far right to bring down the pro-European government. Elsewhere, certain mainstream parties are considering deals, or already cooperating, with parties seen as "radical".

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

Ancient Greek statues are white, pure and classical, just like the marble they are carved from. False. These statues were painted in fabulous bright colours. Archaeologists and art academics have known this for centuries so why does the white myth endure?