42: The Answer to Almost Everything

A team of archaeologists live as hunter-gatherers for a month to understand what life was really like thousands of years ago.

Who really were our ancestors? And what can our DNA tell us about them and us?

Creativity is vital for human beings But how can creative thinking be encouraged? And how is it different from imagination?

How should we know which job to choose? And do dream jobs really make us happy? Ronja von Rönne investigates.

Absurd images have invaded our social media apps. But is this ‘brain rot’ an interesting aesthetic? Or just mindless content?

 Twist meets the singular people who dive into dange,r be they artists, scientists, climbers or photojournalists.

Ex-footballer turned anti-poverty activist Neven Subotić discusses the books that changed his life.

Children often experience their first feelings of love at nursery age.  What does it feel like for children? 

Love may drive you crazy - but it also keeps you alive.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Using the latest technology, researchers are discovering the bright colours of ancient Greek art and architecture.  

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

42-year-old Armen Grigoryan is the youngest barber in the timeless atmosphere of the oldest barbershop in Armenia.

In Romania, the Social Democrats joined forces with the far right to bring down the pro-European government. Elsewhere, certain mainstream parties are considering deals, or already cooperating, with parties seen as "radical".

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

Ancient Greek statues are white, pure and classical, just like the marble they are carved from. False. These statues were painted in fabulous bright colours. Archaeologists and art academics have known this for centuries so why does the white myth endure?

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?