ARTE Reportage

Since 1967 the German NGO Friedensdorf International has been bringing sick or injured children from around the world for treatment in Germany.

What should Europe do about its damaged and depleted soil?

Citizens of North Korea trying to flee the country risk their lives as China hunts them down.

When the fear of illness becomes the illness.

Sustainable consumption: is it all just greenwashing and deception?

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

In the north of the country, the only elephant hospital in the world has existed for over twenty years

Spain has seen a surge in visa applications from Americans who want to leave Trump's America.

Climate change, drought and forest fires are putting pressure on Europe’s national parks.

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.

An odyssey through Iran in search of a lost father for one Tehrani teenager and her friends.

Legendary Berlin duo Modeselektor return to Sónar Festival with a new live set of eclectic rave sounds.

With Keir Starmer ‘s resignation, British politics is still unstable after six prime ministers in the ten years since the Brexit vote.

Audio pornography leaves room for the imagination while arousing the listener with erotic stories

Cologne, Autumn 1944: In the bombed-out city, a small group of young people put up armed resistance against the Nazi regime

Despite its shift toward authoritarianism, Turkey is a strategic partner for the EU.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Loulou is the hilarious story of the unbreakable friendship between Loulou and her three best friends Alice, Marie and Max. Season 1 follows the four friends as they deal with her unplanned pregnancy. And when her child appears in season 2 it's just the beginning of Loulou’s travails.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?