Diego Velázquez

Depictions of nude women can be objectifying and insulting. But Venus is perhaps more inclusive than she looks

In the 17th century, many Dutch women painters excelled at depicting the natural world in their art.

 We accompany a different contemporary artist each episode to deepen our understanding of their creative process

On this last morning before the selections, a last opportunity to work on details before things get serious.

An afternoon with the girls of group B (17-18 years) followed by the boys of group A (15-16 years).

Electronic music meets visual art in this episode of Passengers.

Why do we put off starting important projects until the very last minute? Twist asks artists how they deal with procrastination.

Art and nature with adventurer Lise Wortley, photographer Max Fischer, The Walk Productions and artist and runner Vincent Dogna.

How can deconsecrated churches be put to good use? Twist travels across Europe to discover how former places of worship are being transformed.

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.

Cologne, Autumn 1944: In the bombed-out city, a small group of young people put up armed resistance against the Nazi regime

Audio pornography leaves room for the imagination while arousing the listener with erotic stories

An odyssey through Iran in search of a lost father for one Tehrani teenager and her friends.

Does wealth make you happy? Or maybe true wealth is having nothing at all?

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

Art and nature with adventurer Lise Wortley, photographer Max Fischer, The Walk Productions and artist and runner Vincent Dogna.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

Some Paleolithic burials are exceptional. Dated around 25,000 BC, they are far more complex and decorative than we usually give the era credit for.

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?