The European Space Agency (ESA) is ramping up its budget. Does this mean Europe is to take the lead in the space race?

Soprano Ana Vieira Leite and the Concerto 1700 ensemble perform Handel's German Arias in Madrid.

The Argentinian-Spanish artist Sofía Gabanna is one of the most exciting discoveries in Iberian hip hop. 

Silesia: Saying goodbye to the black gold, searching for a green future.

The katana, the legendary samurai sword, embodies Japanese culture, spirituality, and discipline.

The last day of the competition means one thing: the final. Who will win the prestigious prizes on offer?

It's selection time for the older candidates. Who will impress the jury?

Mermaids in Florida are from all backgrounds, gender, and body type.

After four days of classes and coaching, it's selection time for the younger candidates.

The Hradec Králové Philharmonic performs music by Brahms and Dvořák, conducted by Stanislav Vavřínek.

How can architects build spaces where people coexist peacefully and feel good? This episode focuses on schools.

How can we build spaces that provide shelter and dignity for the most vulnerable in society?

New prisons in Switzerland and Germany provided light, welcoming spaces which aide the rehabilitation process.

For four years, Russia has struck at Ukraine's vital infrastructure with the aim of demoralising the population. 

Last classes and coaching sessions before selections begin for the 54th Prix de Lausanne.

With Donald Trump in the White House, Europe's largest trading partner is becoming an unreliable ally. The EU is therefore looking to make new friends.

On this last morning before the selections, a last opportunity to work on details before things get serious.

With birth rates at an all-time low, Poland is trying to find ways to reverse its demographic decline.

The FIAS opening concert featuring the El Gran Teatro del Mundo ensemble and works by Marc-Antoine Charpentier.

Classes and coaching, classical and contemporary, this third afternoon brings together all the diversity and excitement of the Prix de Lausanne