42: The Answer to Almost Everything

In the age of the metaverse, are we losing grip of reality as we know it?

Nanoparticles have become a favourite topic for conspiracy theorists. But why?

A complex feeling that is both problematic and useful, the latest research on boredom.

Children and young people look to adults as role models, usually their parents, but they also are influenced by their peers.

The European probe Euclid took off successfully on 1 July 2023. Its objective is ambitious: to attempt to solve the enigma of dark matter and above all dark energy, which make up 95% of the universe.

Absurd images have invaded our social media apps. But is this ‘brain rot’ an interesting aesthetic? Or just mindless content?

Ex-footballer turned anti-poverty activist Neven Subotić discusses the books that changed his life.

Between pounding techno, visual explorations and performance art: Two top DJs duet at the Stone Techno festival.

Does wealth make you happy? Or maybe true wealth is having nothing at all?

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Using the latest technology, researchers are discovering the bright colours of ancient Greek art and architecture.  

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

42-year-old Armen Grigoryan is the youngest barber in the timeless atmosphere of the oldest barbershop in Armenia.

In Romania, the Social Democrats joined forces with the far right to bring down the pro-European government. Elsewhere, certain mainstream parties are considering deals, or already cooperating, with parties seen as "radical".

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

Ancient Greek statues are white, pure and classical, just like the marble they are carved from. False. These statues were painted in fabulous bright colours. Archaeologists and art academics have known this for centuries so why does the white myth endure?

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?