ARTJACKING (7/10)

Depictions of nude women can be objectifying and insulting. But Venus is perhaps more inclusive than she looks

In 1973 choreographer and dancer Carolyn Carlson brought an breath of American fresh air into the Paris Opera. In true hippy style she brought barefoot dancing, improvisation and a relaxed attitude. Not everyone was ready for change.

François Chaignaud takes us on a magical stroll through the medieval Louvre.

Women in north-east Syria are fighting for their homeland and for their hard-won equal rights.

Could Nick Cave be the ultimate gothic hero?

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?

Opened in 1932, the art deco cinema is a major venue for film premieres with its huge auditorium.

A magical palace in the centre of Amsterdam, the Royal Theatre Tuschinski is a unique building and Dutch institution.

The Lichtburg Essen is a grand old cinema with a turbulent history.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Using the latest technology, researchers are discovering the bright colours of ancient Greek art and architecture.  

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

42-year-old Armen Grigoryan is the youngest barber in the timeless atmosphere of the oldest barbershop in Armenia.

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?

Opened in 1932, the art deco cinema is a major venue for film premieres with its huge auditorium.

The UN is in crisis as its Special Rapporteur accuses Israel of genocide in Gaza. Will Palestine be its downfall?

Ancient Greek statues are white, pure and classical, just like the marble they are carved from. False. These statues were painted in fabulous bright colours. Archaeologists and art academics have known this for centuries so why does the white myth endure?