Circle of Live: Neel, Sebastian Mullaert and Vril

The queen of British rap lights up the Atelier des Lumières in Paris.

A high-profile meeting between electro music and technology.

This rare jewel of British pop in the historic venue responsible for preserving France's literary heritage.

A magical performance by electro producer Irène Drésel.

Electronic music meets visual art in this episode of Passengers.

Archive expresses postmodern anguish in a post-apocalyptic setting on the outskirts of Paris.

Christine and the Queens deliver a Passengers session teeming with angels and demons.

Trangressive art from the incomparable Fever Ray for this special Passengers session in an abandoned factory.

Metronomy present their new album, Small World, as well as some of their classic tracks, from the palaeontology gallery of the French National Museum of Natural History in Paris.

The Grand Palais during renovation work, a perfect setting for Berlin electronic supergroup Moderat to perform.

This edition of Passengers transports France 79 to the stars, or rather the Nice Observatory. Their dreamy electro pop will take you to an ethereal realm with tracks such as ‘Hometown’ and ‘Diamond Veins’.

Jungle performs for ARTE in the Paris Metro. The British duo will play their greatest hits.

Swedish collective Circle of Live invites the cream of electro music to its performances.

Electro artist Kid Francescoli performs his latest album Lovers, from a boat cruising down the Seine. Recorded 6 July 2020 in Paris.

After a long collaboration with Modeselektor Apparat returns to making music alone. The result is ‘LP5’ set to be an ambient classic performed live in the majestic surroundings of the Palais de la Découverte in Paris.

After a long collaboration with Modeselektor Apparat returns to making music alone. The result is ‘LP5’ set to be an ambient classic performed live in the majestic surroundings of the Palais de la Découverte in Paris.

Stef Mendesidis makes his debut at Stone Techno with a set that is as intense as it is clever.

The iconic electro duo present Chroma, a colourful, immersive and sensory show.

American dancer Corey Scott-Gilbert transposes the energy of Modeselektor’s music into a radical performance.

Ronan Harris has been working on this project since 1990, laying the foundations for the pop of the future.

Violinist Nemanja Radulović and Electro Street Crew combine classical music and dance at the Jacquemart-André Museum in Paris.

Ruthless guitars and the deep voice of singer Whiplasher Bernadotte are this Swedish band's signature.

The rock chameleon appears live at the ARTE Concert Festival.

Ana Frango Elétrico has emerged from the indie scene as the new figurehead of Brazilian groove.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Using the latest technology, researchers are discovering the bright colours of ancient Greek art and architecture.  

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

42-year-old Armen Grigoryan is the youngest barber in the timeless atmosphere of the oldest barbershop in Armenia.

In Romania, the Social Democrats joined forces with the far right to bring down the pro-European government. Elsewhere, certain mainstream parties are considering deals, or already cooperating, with parties seen as "radical".

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

Ancient Greek statues are white, pure and classical, just like the marble they are carved from. False. These statues were painted in fabulous bright colours. Archaeologists and art academics have known this for centuries so why does the white myth endure?