Australia: A Country Without Workers

The US and Israel’s war is inevitably also Europe’s war. But Europe is divided on how to act.

Donald Trump wants to build a defensive shield to protect the USA from missile attacks, similar to Israel’s Iron Dome system.

We ask the French Europe minister how the continent can overcome challenges today and in the future.

Data Sources reveals how a French company operating in Russia is supplying equipment to the Russian army.

Why do so many world maps place Europe at the centre? Why not Australia? And why is the north always at the top? 

Venice’s resident population is sinking as 30 million tourists visit every year. Can the last Venetians be saved?

 Artists Satch Hoyt and Juan Covelli challenge colonial narratives and spark debate about the restitution of cultural artefacts.

Apart from Africa, all nations on all continents are facing an aging population over the next few decades.

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Using the latest technology, researchers are discovering the bright colours of ancient Greek art and architecture.  

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

42-year-old Armen Grigoryan is the youngest barber in the timeless atmosphere of the oldest barbershop in Armenia.

In Romania, the Social Democrats joined forces with the far right to bring down the pro-European government. Elsewhere, certain mainstream parties are considering deals, or already cooperating, with parties seen as "radical".

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

Ancient Greek statues are white, pure and classical, just like the marble they are carved from. False. These statues were painted in fabulous bright colours. Archaeologists and art academics have known this for centuries so why does the white myth endure?