Concert for Europe 2026

The Hradec Králové Philharmonic performs music by Brahms and Dvořák, conducted by Stanislav Vavřínek.

Mozart's Flute Concerto No. 1 performed by Emmanuel Pahud and the Radio France Philharmonic Orchestra.

Jazz revelation Samara Joy has her Parisian audience spellbound.

This rising star of French music returns to her album ‘La symphonie des éclairs,’ acccompanied by the Orchestre National de Lyon.

Viennese production duo Anna Müller and Paul Wallner, aka HVOB, in concert at the Konzerthaus in Vienna.

The Orchestre National de France, conducted by Cristian Măcelaru, perform Brahms Symphony No. 1 and Beethoven’s Violin Concerto.

A performance of Khatchaturian’s virtuosic violin concerto and Stravinsky’s ground-breaking The Rite of Spring.

Leonard Bernstein and George Gershwin celebrated by the Orchestre national de France and pianist Lise de la Salle.

Pianist Alexandre Kantorow joins forces with the Orchestre National de France.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Using the latest technology, researchers are discovering the bright colours of ancient Greek art and architecture.  

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

42-year-old Armen Grigoryan is the youngest barber in the timeless atmosphere of the oldest barbershop in Armenia.

In Romania, the Social Democrats joined forces with the far right to bring down the pro-European government. Elsewhere, certain mainstream parties are considering deals, or already cooperating, with parties seen as "radical".

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

Ancient Greek statues are white, pure and classical, just like the marble they are carved from. False. These statues were painted in fabulous bright colours. Archaeologists and art academics have known this for centuries so why does the white myth endure?

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?