Tracks

Artists question the value of "bullshit jobs", meaningless yet highly-valued roles in our society.

 Twist meets the singular people who dive into dange,r be they artists, scientists, climbers or photojournalists.

Data Sources reveals how Western companies are helping the authoritarian regime in Kazakhstan to create a mass surveillance system.

in the age of generative AI, the very nature of the artistic process is being transformed.

Children and young people look to adults as role models, usually their parents, but they also are influenced by their peers.

 On 13 January 2018, Hawaiian citizens were suddenly confronted by a real nuclear danger, one that we all currently face, but rarely acknowledge.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Schumann, Prokofiev and Mozart are on the programme with pianist Elisabeth Leonskaja as soloist, conducted by Iván Fischer.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.