Martynas Rimeikis: Coppélia

Vanessa Wagner performs Philip Glass’s Piano Etudes with dancers from the Accrorap company.

On this last morning before the selections, a last opportunity to work on details before things get serious.

Choirs and singers from across the Baltic nation come together in a joyful celebration of Estonian musical culture.

A tale of love, murder and oppression – Finland's national opera turns 100!

Estonia, Latvia and Lithuania view the Ukraine war as a threat to their own security.

The Estonian duo modernising the Talharpa, a traditional Northern European instrument.

A dance retelling of Bach's masterpiece by German choreographer Sasha Waltz.

An encounter between dance and classical music led by the Compagnie Hervé Koubi.

A choreography exploring the boundaries of touch and the relationship between men and women.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Using the latest technology, researchers are discovering the bright colours of ancient Greek art and architecture.  

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

42-year-old Armen Grigoryan is the youngest barber in the timeless atmosphere of the oldest barbershop in Armenia.

In Romania, the Social Democrats joined forces with the far right to bring down the pro-European government. Elsewhere, certain mainstream parties are considering deals, or already cooperating, with parties seen as "radical".

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

Ancient Greek statues are white, pure and classical, just like the marble they are carved from. False. These statues were painted in fabulous bright colours. Archaeologists and art academics have known this for centuries so why does the white myth endure?