Joshua Idehen

The queen of British rap lights up the Atelier des Lumières in Paris.

Tune in for reggae, dancehall and afrobeats on the shores of Lake Fühlinger See, near Cologne, Germany.

The Argentinian-Spanish artist Sofía Gabanna is one of the most exciting discoveries in Iberian hip hop. 

Tune in for reggae, dancehall and afrobeats on the shores of Lake Fühlinger See, near Cologne, Germany.

The German producer and performer, a veritable icon of the electronic scene, takes to the stage at Barcelona's Sónar festival.

Violinist Nemanja Radulović and Electro Street Crew combine classical music and dance at the Jacquemart-André Museum in Paris.

Tune in for reggae, dancehall and afrobeats on the shores of Lake Fühlinger See, near Cologne, Germany.

Psychedelic folk combo Nusantara Beat from Amsterdam takes the ESNS Festival audience on a mind-expanding journey. 

Tune in for reggae, dancehall and afrobeats on the shores of Lake Fühlinger See, near Cologne, Germany.

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.

Cologne, Autumn 1944: In the bombed-out city, a small group of young people put up armed resistance against the Nazi regime

Audio pornography leaves room for the imagination while arousing the listener with erotic stories

An odyssey through Iran in search of a lost father for one Tehrani teenager and her friends.

Does wealth make you happy? Or maybe true wealth is having nothing at all?

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

Art and nature with adventurer Lise Wortley, photographer Max Fischer, The Walk Productions and artist and runner Vincent Dogna.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

Some Paleolithic burials are exceptional. Dated around 25,000 BC, they are far more complex and decorative than we usually give the era credit for.

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?