Tracks: Tapemania

50 years after the Sex Pistols burst onto the scene in Britain, what is left of the punk spirit? Twist went to find out.

Tune in for reggae, dancehall and afrobeats on the shores of Lake Fühlinger See, near Cologne, Germany.

A predictably unpredictable set from Narciss at Stone Techno Festival filled with an eclectic range of bangers.

British DJ ad producer Ben Sims goes shares the decks with Spanish star Oscar Mulero.

Better known by his stage name Kyteman, Dutchman Colin Benders has had an impressive career on the hip-hop scene. More recently, his talent has also been noted on the techno scene.

Tune in for reggae, dancehall and afrobeats on the shores of Lake Fühlinger See, near Cologne, Germany.

The DJ captivates audiences with his instantly recognisable soundscapes and infectious beats.

Stef Mendesidis makes his debut at Stone Techno with a set that is as intense as it is clever.

Audio pornography leaves room for the imagination while arousing the listener with erotic stories

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.

Cologne, Autumn 1944: In the bombed-out city, a small group of young people put up armed resistance against the Nazi regime

Audio pornography leaves room for the imagination while arousing the listener with erotic stories

An odyssey through Iran in search of a lost father for one Tehrani teenager and her friends.

Does wealth make you happy? Or maybe true wealth is having nothing at all?

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

Art and nature with adventurer Lise Wortley, photographer Max Fischer, The Walk Productions and artist and runner Vincent Dogna.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

Some Paleolithic burials are exceptional. Dated around 25,000 BC, they are far more complex and decorative than we usually give the era credit for.

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?