42: The Answer to Almost Everything

As early as 2025, more tasks will be performed by robots and artificial intelligence than by human beings. 

French journalist Xavier de La Porte looks at how translation tools work and how they could change language.

Artificial intelligence is reshaping the linguistic landscape.

Ex-footballer turned anti-poverty activist Neven Subotić discusses the books that changed his life.

Absurd images have invaded our social media apps. But is this ‘brain rot’ an interesting aesthetic? Or just mindless content?

Ronja meets ex-player Kevin Pannewitz, who was kicked out of professional football due to lack of discipline

Can beauty make us happier? And what is the real power of beauty? A philosophical exploration hosted by Ronja von Rönne.

 Twist meets the singular people who dive into dange,r be they artists, scientists, climbers or photojournalists.

Children often experience their first feelings of love at nursery age.  What does it feel like for children? 

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?