Atelier A: Yan-Pei Ming

Claude Monet made the cliffs at Étretat famous, but the charming town now suffers from overtourism.

An afternoon with the girls of group B (17-18 years) followed by the boys of group A (15-16 years).

 Artists Satch Hoyt and Juan Covelli challenge colonial narratives and spark debate about the restitution of cultural artefacts.

The programme includes lessons in classical dance for the girls in Group A (15-16 years) and coaching in contemporary variations for the boys in Group B (17-18 years).

A living legend of the American avant-garde in a concert as demanding as it is generous.

On this last morning before the selections, a last opportunity to work on details before things get serious.

Gaël Faye in a special concert in front of Géricault's ‘The Raft of the Medusa’.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Schumann, Prokofiev and Mozart are on the programme with pianist Elisabeth Leonskaja as soloist, conducted by Iván Fischer.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?