A confrontation between dance and patriarchy.

Inspired by 19th century Spain’s cigar makers, Humo pays tribute to these women in dance and song.

Vanessa Wagner performs Philip Glass’s Piano Etudes with dancers from the Accrorap company.

The last day of the competition means one thing: the final. Who will win the prestigious prizes on offer?

It's selection time for the older candidates. Who will impress the jury?

After four days of classes and coaching, it's selection time for the younger candidates.

Last classes and coaching sessions before selections begin for the 54th Prix de Lausanne.

On this last morning before the selections, a last opportunity to work on details before things get serious.

Classes and coaching, classical and contemporary, this third afternoon brings together all the diversity and excitement of the Prix de Lausanne

A morning of classical dance for all the candidates of the prestigious dance competition.

An afternoon with the girls of group B (17-18 years) followed by the boys of group A (15-16 years).

The programme includes lessons in classical dance for the girls in Group A (15-16 years) and coaching in contemporary variations for the boys in Group B (17-18 years).

The first afternoon at the 54th Prix de Lausanne focuses on the 17-18 year-old candidates and the ballet classes. 

First look at the candidates for the Prix de Lausanne 2026

A choreography exploring the boundaries of touch and the relationship between men and women.

A dance tribute to Carmen Amaya, a major yet forgotten figure in flamenco.

Violinist Nemanja Radulović and Electro Street Crew combine classical music and dance at the Jacquemart-André Museum in Paris.

A powerful work born of the encounter between choreographer Leïla Ka and director Josselin Carré.

An encounter between dance and classical music led by the Compagnie Hervé Koubi.

A dreamlike performance in which Babx's music meets Adrien Mondot's lighting effects.