Inspired by 19th century Spain’s cigar makers, Humo pays tribute to these women in dance and song.

A confrontation between dance and patriarchy.

A dance tribute to Carmen Amaya, a major yet forgotten figure in flamenco.

An encounter between dance and classical music led by the Compagnie Hervé Koubi.

A choreography exploring the boundaries of touch and the relationship between men and women.

A humanist concert led by conductor Zahia Ziouani.

Vanessa Wagner performs Philip Glass’s Piano Etudes with dancers from the Accrorap company.

The last day of the competition means one thing: the final. Who will win the prestigious prizes on offer?

François Chaignaud takes us on a magical stroll through the medieval Louvre.

A powerful work born of the encounter between choreographer Leïla Ka and director Josselin Carré.

Violinist Nemanja Radulović and Electro Street Crew combine classical music and dance at the Jacquemart-André Museum in Paris.

First look at the candidates for the Prix de Lausanne 2026

A morning of classical dance for all the candidates of the prestigious dance competition.

On this last morning before the selections, a last opportunity to work on details before things get serious.

After four days of classes and coaching, it's selection time for the younger candidates.

A dreamlike performance in which Babx's music meets Adrien Mondot's lighting effects.

A competition 100% focussed on breakdance and featuring some of the world's greatest dancers.

The first afternoon at the 54th Prix de Lausanne focuses on the 17-18 year-old candidates and the ballet classes. 

An afternoon with the girls of group B (17-18 years) followed by the boys of group A (15-16 years).

The programme includes lessons in classical dance for the girls in Group A (15-16 years) and coaching in contemporary variations for the boys in Group B (17-18 years).