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In Marseille, Marius meets Jeannette. In tribute to producer Pierre Chevalier, who died on 9 March, ARTE is showing this modern love story directed by Robert Guédiguian starring a formidable cast of actors including Ariane Ascaride, Gérard Meylan, Pascale Roberts and Jean-Pierre Darroussin.

In tribute to producer Pierre Chevalier, ARTE is rebroadcasting this modern love story set in Marseille.

Marius and Jeannette

In Estaque-Riaux, Marseille's gritty northern suburb, Gilbert and his crew grapple with a bleak future as factories shutter. Juggling odd jobs and bar hangouts, they confront a reality starkly different from their parents'. Amidst the struggle, Banana's resilience, Boule's vulnerability, and Mario's dilemmas embody the poignant clash between tradition and the harsh truths of modern life.

It’s the 1980s in Marseille, and Gilbert's future wavers as factories close.

Last Summer

Against the backdrop of the allegations against Gerard Depardieu, the French film industry is stepping up preventive measures against harassment and violence in what seems to be a sea change in the cinema sector.

Sexual Harassment in French Cinema

After Brussels was destroyed by the troops of Louis XIV in 1695, the city decided to build a theatre in place of the old mint. Today’s opera house dates from 1856, but has retained the name La Monnaie / De Munt to this day. Among those who were instrumental in turning it into one of Europe’s great opera houses were Gerard Mortier, Maurice Béjart and Antonio Pappano.

Brussels, Belgium

National opera since 1963, La Monnaie maintains a strong multicultural identity.

La Monnaie/De Munt

Even Eugène Delacroix was almost overwhelmed by the power of his own painting. Since then, artists have harked back to this image when depicting a myriad of other protest movements and causes: Gérard Fromanger and May 68, Yue Minjun and the Chinese opposition, P Boy and the Yellow Vests, Gérard Rancinan and anti-capitalism.

Liberty Leading the People

Even Eugène Delacroix was almost overwhelmed by the power of his own painting.

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