{"id":9986,"date":"2013-05-31T14:08:43","date_gmt":"2013-05-31T13:08:43","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=9986"},"modified":"2013-05-31T17:00:44","modified_gmt":"2013-05-31T16:00:44","slug":"le-monstre-qui-vient-de-lespace-de-william-sachs","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2013\/05\/31\/le-monstre-qui-vient-de-lespace-de-william-sachs\/","title":{"rendered":"Le monstre qui vient de l\u2019espace de William Sachs"},"content":{"rendered":"

<\/em><\/em>La Cin\u00e9math\u00e8que fran\u00e7aise salue actuellement le travail d\u2019un grand directeur de la photographie europ\u00e9en, Willy Kurant avec une r\u00e9trospective de ses principaux films. N\u00e9 \u00e0 Li\u00e8ge en 1934 Willy Kurant a travaill\u00e9 avec Godard (Masculin F\u00e9minin<\/em>), Varda (Les Cr\u00e9atures<\/em>), Welles (Une histoire immortelle<\/em>), Skolimowski (Le D\u00e9part<\/em>), Pialat (Sous le soleil de satan<\/em>), Garrel (Un \u00e9t\u00e9 br\u00fblant<\/em>)\u2026 Kurant a \u00e9galement travaill\u00e9 aux Etats-Unis sur des films qui n\u2019ont pas laiss\u00e9 une trace inoubliable dans l\u2019histoire du cin\u00e9ma. Pas b\u00e9gueule, Kurant a propos\u00e9 \u00e0 la Cin\u00e9math\u00e8que fran\u00e7aise de puiser dans les tr\u00e9fonds de sa filmographie pour concocter un double programme \u00ab\u00a0cin\u00e9ma bis\u00a0\u00bb qui r\u00e9unit deux titres presque totalement oubli\u00e9s, m\u00eame des amateurs de bizarreries\u00a0: Mama Dracula<\/em> (1980) de Boris Szulzinger cin\u00e9aste et producteur belge connu pour Les Tueurs fous<\/em> et La Honte de la jungle<\/em> dessin anim\u00e9 pour adultes cor\u00e9alis\u00e9 avec Picha\u00a0: on ne sait m\u00eame plus si on a vu ou non cette com\u00e9die vampirique avec Louise Fletcher et Maria Schneider qui voulait r\u00e9it\u00e9rer le succ\u00e8s des L\u00e8vres rouges <\/em>et de Dracula p\u00e8re et fils<\/em>. En revanche on se souvient bien du monstre qui vient de l\u2019espace<\/em> (The Incredible Melting Man<\/em>, 1977) d\u00e9j\u00e0 vu \u00e0 la Cin\u00e9math\u00e8que fran\u00e7aise et revu en DVD, pastiche de s\u00e9rie B pour le moins \u00e9trange et sympathique, devenu un classique du cin\u00e9ma psychotronique.<\/p>\n

Ces deux films seront projet\u00e9s ce soir \u00e0 la Cin\u00e9math\u00e8que \u00e0 partir de 20h.<\/p>\n

Comme son titre original l\u2019indique, le film de William Sachs s\u2019inspire de L\u2019homme qui r\u00e9tr\u00e9cit<\/em> (The Incredible Schrinking Man<\/em>, 1957) de Jack Arnold et raconte le tragique destin d\u2019un astronaute victime de radiations lors d\u2019un voyage dans l\u2019espace (il s\u2019est aventur\u00e9 un peu trop pr\u00e8s des anneaux de Saturne), et qui revient sur Terre en piteux \u00e9tat. Tandis que sa force augmente et que naissent en lui des pulsions cannibales, son corps se d\u00e9sagr\u00e8ge morceau par morceau. L\u2019homme se met \u00e0 fondre in\u00e9luctablement, jusqu\u2019\u00e0 ressembler \u00e0 un amas de mati\u00e8re gluante et sanguinolente.<\/p>\n

\"Le<\/a>

Le monstre qui vient de l’espace<\/p><\/div>\n

Le film fait \u00e9galement r\u00e9f\u00e9rence \u00e0 un classique de la science-fiction, Le Monstre<\/em> (The Quatermass Experiment<\/em>, 1955) de Val Guest dans lequel le survivant d\u2019un voyage spatial se transformait progressivement en monstre et terrorisait Londres. Le monstre qui vient de l\u2019espace<\/em> t\u00e9moigne souvent d\u2019un mauvais go\u00fbt aberrant, avec des ralentis absurdes et des sc\u00e8nes de violence si grotesques qu\u2019elles laissent percer des intentions parodiques, \u00e0 moins que le cin\u00e9aste William Sachs (\u00e9galement responsable de Galaxina<\/em> en 1980) soit un v\u00e9ritable cas pathologique \u00e0 l\u2019instar d\u2019Ed Wood ou de Doris Wishman, alliant incomp\u00e9tence et folie douce. Quant \u00e0 la photographie de Kurant, elle ne figure certes pas parmi ses meilleurs travaux, budget rachitique oblige, mais le film compte certains plans remarquables, par leur \u00e9clairage ou leur cadrage incongru, qui tranchent avec la m\u00e9diocrit\u00e9 de l\u2019ensemble.<\/p>\n","protected":false},"excerpt":{"rendered":"

La Cin\u00e9math\u00e8que fran\u00e7aise salue actuellement le travail d\u2019un grand directeur de la photographie europ\u00e9en, Willy Kurant avec une r\u00e9trospective de\u2026<\/p>\n","protected":false},"author":116,"featured_media":9987,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nLe monstre qui vient de l\u2019espace de William Sachs - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2013\/05\/31\/le-monstre-qui-vient-de-lespace-de-william-sachs\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le monstre qui vient de l\u2019espace de William Sachs - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"La Cin\u00e9math\u00e8que fran\u00e7aise salue actuellement le travail d\u2019un grand directeur de la photographie europ\u00e9en, Willy Kurant avec une r\u00e9trospective de\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2013\/05\/31\/le-monstre-qui-vient-de-lespace-de-william-sachs\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2013-05-31T13:08:43+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-05-31T16:00:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2013\/05\/Le-monstre-qui-vient-de-lespace.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2328\" \/>\n\t<meta property=\"og:image:height\" content=\"1694\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2013\/05\/31\/le-monstre-qui-vient-de-lespace-de-william-sachs\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2013\/05\/31\/le-monstre-qui-vient-de-lespace-de-william-sachs\/\",\"name\":\"Le monstre qui vient de l\u2019espace de William Sachs - 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