{"id":9613,"date":"2013-05-15T22:01:39","date_gmt":"2013-05-15T21:01:39","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=9613"},"modified":"2013-05-15T22:09:54","modified_gmt":"2013-05-15T21:09:54","slug":"cannes-2013-jour-1-gatsby-le-magnifique-de-baz-luhrmann-selection-officielle-hors-competition-film-douverture","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2013\/05\/15\/cannes-2013-jour-1-gatsby-le-magnifique-de-baz-luhrmann-selection-officielle-hors-competition-film-douverture\/","title":{"rendered":"Cannes 2013 Jour 1 : Gatsby le Magnifique de Baz Luhrmann (S\u00e9lection officielle \u2013 Hors comp\u00e9tition, film d\u2019ouverture)"},"content":{"rendered":"

A d\u00e9faut d\u2019\u00eatre un vrai bon film, Moulin Rouge\u00a0!<\/em> \u00e9tait une com\u00e9die musicale qu’on s’\u00e9tait surpris \u00e0 aimer \u2013 et \u00e0 revoir – lors de la soir\u00e9e d’ouverture du Festival de Cannes en 2001, malgr\u00e9 de s\u00e9rieuses et l\u00e9gitimes r\u00e9serves esth\u00e9tiques. L\u2019histoire d\u2019amour \u00e9tait belle et \u00e9mouvante, l\u2019utilisation des chansons gonfl\u00e9e et efficace, le r\u00e9sultat excitant, son actrice principale, Nicole Kidman, sublime.<\/p>\n

Et l\u2019id\u00e9e d\u2019une \u00e9vocation fantaisiste de la Boh\u00e8me parisienne de la fin du XIXe si\u00e8cle et du Moulin Rouge, pr\u00e9sent\u00e9 comme le berceau du clubbing, n\u2019\u00e9tait pas si b\u00eate. Baz Luhrmann faisait le malin d\u00e8s ses premi\u00e8res images en organisant un bordel visuel carabin\u00e9, cumulant les d\u00e9fauts des pr\u00e9c\u00e9dentes incursions de Bob Fosse (la surcharge d\u00e9corative) ou Ken Russell (les anachronismes fumeux) dans le domaine du n\u00e9o musical. La \u00ab\u00a0Baz Luhrmann\u2019s touch\u00a0\u00bb se r\u00e9sumait alors \u00e0 une direction artistique pompi\u00e8re et \u00e0 un montage ext\u00e9nuant h\u00e9rit\u00e9 de MTV. Moulin Rouge!<\/em> parvenait pourtant \u00e0 nous intriguer positivement. Gatsby le Magnifique<\/em> est sans doute plus respectable, mais il est sans vraie surprise.<\/p>\n

\"\"<\/a><\/p>\n

De nouveau charg\u00e9 d\u2019ouvrir les festivit\u00e9s \u00e0 Cannes, un peu comme si son go\u00fbt pour les f\u00eates dans ses films devait assurer au moins la promesse d\u2019un service maximum niveau glamour, paillettes et star system \u2013 ne parlons m\u00eame pas de la f\u00eate apr\u00e8s le film, malgr\u00e9 la pluie battante – Baz Luhrmann revient avec cette nouvelle adaptation du roman de Fitzgerald, d\u00e9j\u00e0 port\u00e9 plusieurs fois \u00e0 l\u2019\u00e9cran (on se souvient d\u2019un film vaguement d\u00e9coratif et acad\u00e9mique avec Robert Redford et Mia Farrow.)<\/p>\n

Au d\u00e9but du film \u2013 la partie \u00ab\u00a0festive\u00a0\u00bb Luhrmann semble brader ses effets de style qui surprennent et agacent moins qu\u2019\u00e0 l\u2019\u00e9poque de Romeo+Juliette<\/em> et Moulin Rouge\u00a0!<\/em>. Peut-\u00eatre que le cin\u00e9aste consid\u00e8re son dernier opus comme l\u2019\u0153uvre de la maturit\u00e9, apr\u00e8s les extravagances un peu fofolles de sa \u00ab\u00a0trilogie du rideau rouge\u00a0\u00bb et le coup de fouet en retour du catastrophique Australia<\/em>. N\u2019exag\u00e9rons rien. Gatsby le Magnifique<\/em> d\u00e9montre une fois pour toutes que Luhrmann est un cin\u00e9aste assez impersonnel et sans style v\u00e9ritable \u2013 ici il lorgne du c\u00f4t\u00e9 des derniers films de Scorsese. La seconde moiti\u00e9 est plus \u00e9l\u00e9gante, voire classieuse (c\u2019est la moindre des choses avec un sujet pareil) et repose essentiellement sur les performances d\u2019acteurs, tous excellents et tr\u00e8s bien habill\u00e9s.<\/p>\n

Voil\u00e0 un film pas tr\u00e8s inspirant qui remplit son contrat de spectacle haut de gamme, avec utilisation \u00ab\u00a0intimiste\u00a0\u00bb donc moins fatigante que d\u2019habitude de la 3D. C\u2019est aussi un nouvel \u00e9crin permettant \u00e0 Leonardo Di Caprio de peaufiner son statut de h\u00e9ros romantique. Il y travaille, avec succ\u00e8s, de film en film. C\u2019est peut-\u00eatre lui le v\u00e9ritable auteur de Gatsby<\/em> le Magnifique<\/em>.<\/p>\n

Le film est sorti aujourd\u2019hui dans les salles fran\u00e7aises, distribu\u00e9 par Warner Bros.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

A d\u00e9faut d\u2019\u00eatre un vrai bon film, Moulin Rouge\u00a0! \u00e9tait une com\u00e9die musicale qu’on s’\u00e9tait surpris \u00e0 aimer \u2013 et\u2026<\/p>\n","protected":false},"author":116,"featured_media":9614,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nCannes 2013 Jour 1 : Gatsby le Magnifique de Baz Luhrmann (S\u00e9lection officielle \u2013 Hors comp\u00e9tition, film d\u2019ouverture) - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2013\/05\/15\/cannes-2013-jour-1-gatsby-le-magnifique-de-baz-luhrmann-selection-officielle-hors-competition-film-douverture\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cannes 2013 Jour 1 : Gatsby le Magnifique de Baz Luhrmann (S\u00e9lection officielle \u2013 Hors comp\u00e9tition, film d\u2019ouverture) - 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