{"id":9578,"date":"2013-05-21T04:00:09","date_gmt":"2013-05-21T03:00:09","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=9578"},"modified":"2013-05-21T17:13:08","modified_gmt":"2013-05-21T16:13:08","slug":"cannes-2013-jour-7-cleopatre-de-joseph-l-mankiewicz-cannes-classics","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2013\/05\/21\/cannes-2013-jour-7-cleopatre-de-joseph-l-mankiewicz-cannes-classics\/","title":{"rendered":"Cannes 2013 Jour 7 : Cl\u00e9op\u00e2tre de Joseph L. Mankiewicz (Cannes Classics)"},"content":{"rendered":"

Pour comm\u00e9morer le 50\u00e8me anniversaire d\u2019un des p\u00e9plums les plus c\u00e9l\u00e8bres et les plus pol\u00e9miques de l\u2019histoire du cin\u00e9ma, la 20th Century Fox, en partenariat avec Bulgari, pr\u00e9sente une copie restaur\u00e9e de Cl\u00e9op\u00e2tre<\/em> (Cleopatra<\/em>, 1963) de Joseph L. Mankiewicz dans sa version int\u00e9grale de 243 minutes. La restauration num\u00e9rique a \u00e9t\u00e9 r\u00e9alis\u00e9e en 4K par la 20th Century Fox. La projection aura lieu en pr\u00e9sence de Kate Burton, fille de Richard Burton et de Chris Wilding, fils d\u2019Elizabeth Taylor.<\/p>\n

\"Richard<\/a>

Richard Burton et Elizabeth Taylor dans Cl\u00e9op\u00e2tre<\/p><\/div>\n

C\u2019est l\u2019occasion de revoir ce film de Joseph L. Mankiewicz aux proportions colossales dans une superbe copie et d’avoir la confirmation que Cl\u00e9op\u00e2tre<\/em>, longtemps d\u00e9crit comme un \u00e9norme fiasco en raison du gouffre financier qu’il fut pour la Fox et des conditions d\u00e9sastreuses de son tournage, d\u00e9but\u00e9 \u00e0 Londres par Rouben Mamoulian, interrompu puis recommenc\u00e9 \u00e0 Rome par Mankiewicz, qui faillit y perdre la sant\u00e9 et le go\u00fbt du cin\u00e9ma, est avant tout un film g\u00e9nial dans lequel Mankiewicz ne renonce en rien \u00e0 sa conception de la mise en sc\u00e8ne. Si Cl\u00e9op\u00e2tre<\/em> est le meilleur p\u00e9plum parmi les grosses productions hollywoodiennes de l’\u00e9poque, c’est qu’il privil\u00e9gie l’intelligence des dialogues et la qualit\u00e9 de l’interpr\u00e9tation aux sc\u00e8nes de foules et de batailles. Le film s’inscrit ainsi davantage dans la tradition de George Bernard Shaw et William Shakespeare que du kitsch hollywoodien. Mankiewicz souhaitait d’ailleurs r\u00e9aliser deux films distincts, Cl\u00e9op\u00e2tre et Jules C\u00e9sar<\/em> suivi de Cl\u00e9op\u00e2tre et Marc-Antoine<\/em>, puis fut contraint de r\u00e9duire son film \u00e0 une dur\u00e9e plus \u00ab\u00a0normale\u00a0\u00bb de quatre heures environs. La premi\u00e8re partie, avec Rex Harrison, est \u00e9blouissante, tandis que la seconde souffre un peu des al\u00e9as du tournage (le film fut termin\u00e9 dans l’ordre chronologique, et \u00e9crit au jour le jour, entra\u00eenant des d\u00e9penses suppl\u00e9mentaires), avec toutefois des sc\u00e8nes sublimes. Elizabeth Taylor empoisonna le tournage de ses caprices et de ses probl\u00e8mes de sant\u00e9 chroniques, sans compter sa liaison torride et tr\u00e8s m\u00e9diatis\u00e9e avec Richard Burton, mais elle reste \u00e0 l’\u00e9cran une des plus belles femmes du monde et la Cl\u00e9op\u00e2tre id\u00e9ale.<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Pour comm\u00e9morer le 50\u00e8me anniversaire d\u2019un des p\u00e9plums les plus c\u00e9l\u00e8bres et les plus pol\u00e9miques de l\u2019histoire du cin\u00e9ma, la\u2026<\/p>\n","protected":false},"author":116,"featured_media":9652,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nCannes 2013 Jour 7 : Cl\u00e9op\u00e2tre de Joseph L. Mankiewicz (Cannes Classics) - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2013\/05\/21\/cannes-2013-jour-7-cleopatre-de-joseph-l-mankiewicz-cannes-classics\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cannes 2013 Jour 7 : Cl\u00e9op\u00e2tre de Joseph L. Mankiewicz (Cannes Classics) - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Pour comm\u00e9morer le 50\u00e8me anniversaire d\u2019un des p\u00e9plums les plus c\u00e9l\u00e8bres et les plus pol\u00e9miques de l\u2019histoire du cin\u00e9ma, la\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2013\/05\/21\/cannes-2013-jour-7-cleopatre-de-joseph-l-mankiewicz-cannes-classics\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2013-05-21T03:00:09+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-05-21T16:13:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2013\/05\/UNEAnnex-Taylor-Elizabeth-Cleopatra_12-580x620.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"832\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2013\/05\/21\/cannes-2013-jour-7-cleopatre-de-joseph-l-mankiewicz-cannes-classics\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2013\/05\/21\/cannes-2013-jour-7-cleopatre-de-joseph-l-mankiewicz-cannes-classics\/\",\"name\":\"Cannes 2013 Jour 7 : Cl\u00e9op\u00e2tre de Joseph L. 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