{"id":8042,"date":"2012-11-02T11:42:38","date_gmt":"2012-11-02T09:42:38","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=8042"},"modified":"2012-11-07T11:28:59","modified_gmt":"2012-11-07T10:28:59","slug":"artistes-et-modeles-de-frank-tashlin","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/11\/02\/artistes-et-modeles-de-frank-tashlin\/","title":{"rendered":"Artistes et Mod\u00e8les de Frank Tashlin"},"content":{"rendered":"
\"Artistes<\/a>

Artistes et Mod\u00e8les<\/p><\/div>\n

Chef-d\u2019\u0153uvre sur la bande dessin\u00e9e et le pop art Artistes et Mod\u00e8les<\/i> (Artists and Models<\/i>, 1955) est une satire doubl\u00e9e d\u2019une com\u00e9die d\u00e9lirante. Un must.<\/p>\n

Deux amis, Dick et Eugene, dessinateurs au ch\u00f4mage, vivent dans la mis\u00e8re \u00e0 New York. La chance leur sourit lorsque leur voisine Gabrielle quitte son poste d\u2019illustratrice chez un \u00e9diteur de publications enfantines car elle refuse de dessiner des choses violentes. Dick la remplace, et dessine les visions nocturnes d\u2019Eugene, qui r\u00eave chaque nuit des aventures d\u2019une chauve-souris qui prend les traits de la jeune colocataire de Gabrielle. Eugene se met \u00e9galement \u00e0 inventer dans son sommeil des formules secr\u00e8tes qui vont bient\u00f4t alerter la C.I.A.<\/p>\n

Apog\u00e9e du tandem Jerry Lewis Dean Martin, Artistes et Mod\u00e8les<\/i> est \u00e9videmment sign\u00e9 Frank Tashlin, ancien dessinateur ici au sommet de son art. Artistes et Mod\u00e8les<\/i> fourmille de trouvailles visuelles d\u00e9lirantes, emprunt\u00e9es au style des \u00ab\u00a0comics\u00a0\u00bb, et la g\u00e9niale Shirley MacLaine est inoubliable dans son costume de Batwoman. Satiriste f\u00e9roce, Tashlin a caricatur\u00e9 la soci\u00e9t\u00e9 du spectacle am\u00e9ricain, r\u00e9alisant les meilleures \u2013 et pr\u00e9coces \u2013 com\u00e9dies sur le rock (La Blonde et Moi<\/i>) la publicit\u00e9 (La Blonde explosive<\/i>), Hollywood (Un vrai cingl\u00e9 de cin\u00e9ma<\/i>) et la bande dessin\u00e9e (Artistes et Mod\u00e8les<\/i>). Cette formidable s\u00e9rie de films prend des allures proph\u00e9tiques si l\u2019on observe l\u2019\u00e9volution du cin\u00e9ma hollywoodien qui n\u2019a cess\u00e9 depuis les ann\u00e9es 60 de recycler la culture pop (clip, t\u00e9l\u00e9vision et bande dessin\u00e9e) pour masquer son inspiration d\u00e9clinante.<\/p>\n

Il faut red\u00e9couvrir les com\u00e9dies de Tashlin qui fut le premier \u00e0 critiquer de l\u2019int\u00e9rieur le divertissement am\u00e9ricain, \u00e9gratignant le culte de la r\u00e9ussite sociale et du bonheur mat\u00e9riel dans des contes moraux d\u00e9guis\u00e9s en com\u00e9dies acidul\u00e9es. Joe Dante et John Landis lui doivent presque tout et avant eux Jerry Lewis, qui apprendra le m\u00e9tier de cin\u00e9aste \u00e0 ses c\u00f4t\u00e9s, lui doit beaucoup.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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