{"id":7940,"date":"2012-10-28T09:11:19","date_gmt":"2012-10-28T07:11:19","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=7940"},"modified":"2013-08-03T13:47:54","modified_gmt":"2013-08-03T12:47:54","slug":"mamma-roma-de-pier-paolo-pasolini","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/28\/mamma-roma-de-pier-paolo-pasolini\/","title":{"rendered":"Mamma Roma de Pier Paolo Pasolini"},"content":{"rendered":"
\"Mamma<\/a>

Mamma Roma<\/p><\/div>\n

Apr\u00e8s avoir convi\u00e9 des cochons d\u00e9guis\u00e9s en bourgeois aux noces de son ancien amant et souteneur, Mamma Roma, une prostitu\u00e9e, retrouve son fils, un adolescent qu’elle avait laiss\u00e9 \u00e0 la campagne afin de le tenir \u00e0 l’\u00e9cart de ses activit\u00e9s \u00ab\u00a0professionnelles\u00a0\u00bb. Pier Paolo Pasolini n’aimait pas beaucoup Mamma Roma<\/i> (1962), d\u00e9chirante trag\u00e9die prol\u00e9taire, car il n’y constatait aucune \u00e9volution artistique par rapport au coup d’\u00e9clat inaugural d’Accattone<\/i> (1961). Le choix d’Anna Magnani dans le r\u00f4le-titre pouvait m\u00eame laisser penser que le cin\u00e9aste, apr\u00e8s un premier film sauvage jou\u00e9 par des com\u00e9diens amateurs, s’abandonnait \u00e0 une forme institutionnalis\u00e9e de n\u00e9or\u00e9alisme tardif. La collaboration avec la grande Magnani ne d\u00e9bouche pas sur un r\u00e9sultat aussi fabuleux qu’avec le g\u00e9nial comique Tot\u00f2. Cependant, Mamma Roma<\/i> marque une \u00e9tape magnifique vers cette id\u00e9e de \u00ab\u00a0cin\u00e9ma de po\u00e9sie\u00a0\u00bb ch\u00e8re \u00e0 Pasolini. D\u00e8s les premiers plans, les distances prises avec le n\u00e9or\u00e9alisme, et avec les autres films consacr\u00e9s au petit peuple italien, sautent aux yeux. Les r\u00e9f\u00e9rences visuelles de Pasolini sont avant tout picturales. La frontalit\u00e9 du cadre, les personnages plac\u00e9s au centre du plan, figures de style fr\u00e9quentes chez Pasolini, viennent de certains peintres du trecento, Masaccio ou Giotto, que le cin\u00e9aste admirait. L’utilisation de la musique classique (ici Vivaldi), le refus du plan-s\u00e9quence ou du son direct participent \u00e0 cette \u00ab\u00a0f\u00e9tichisation du r\u00e9el\u00a0\u00bb qui rend l’\u0153uvre pasolinienne absolument unique au sein du nouveau cin\u00e9ma des ann\u00e9es 60.<\/p>\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s avoir convi\u00e9 des cochons d\u00e9guis\u00e9s en bourgeois aux noces de son ancien amant et souteneur, Mamma Roma, une prostitu\u00e9e,\u2026<\/p>\n","protected":false},"author":116,"featured_media":10521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"yoast_head":"\nMamma Roma de Pier Paolo Pasolini - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/28\/mamma-roma-de-pier-paolo-pasolini\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mamma Roma de Pier Paolo Pasolini - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Apr\u00e8s avoir convi\u00e9 des cochons d\u00e9guis\u00e9s en bourgeois aux noces de son ancien amant et souteneur, Mamma Roma, une prostitu\u00e9e,\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/28\/mamma-roma-de-pier-paolo-pasolini\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2012-10-28T07:11:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-08-03T12:47:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2012\/10\/mamma-roma1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"865\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/28\/mamma-roma-de-pier-paolo-pasolini\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/28\/mamma-roma-de-pier-paolo-pasolini\/\",\"name\":\"Mamma Roma de Pier Paolo Pasolini - 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