{"id":7907,"date":"2012-10-26T17:33:53","date_gmt":"2012-10-26T15:33:53","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=7907"},"modified":"2013-08-03T13:48:59","modified_gmt":"2013-08-03T12:48:59","slug":"pour-toi-jai-tue-de-robert-siodmak","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/26\/pour-toi-jai-tue-de-robert-siodmak\/","title":{"rendered":"Pour toi, j’ai tu\u00e9 de Robert Siodmak"},"content":{"rendered":"
\"Pour<\/a>

Pour toi, j’ai tu\u00e9<\/p><\/div>\n

Souvent pr\u00e9sent\u00e9 comme l’arch\u00e9type du film noir, sign\u00e9 Robert Siodmak, cin\u00e9aste allemand \u00e0 la carri\u00e8re internationale, auteur \u00e0 Hollywood des c\u00e9l\u00e8bres Tueurs<\/i>, d’apr\u00e8s Hemingway, mais aussi de plusieurs perles de la s\u00e9rie B, Pour toi, j\u2019ai tu\u00e9<\/i> (Criss Cross<\/i>, 1948) ne respecte pourtant que superficiellement les canons du cin\u00e9ma policier. Siodmak se sert d’une presque banale histoire de violence et de trahison pour \u00e9tudier le drame d’un couple maudit marqu\u00e9 par le destin, et dresser les portraits sans clich\u00e9 d’un homme faible et d’une femme \u00ab\u00a0insondable\u00a0\u00bb, pour reprendre l’expression exacte d’Herv\u00e9 Dumont, le meilleur ex\u00e9g\u00e8te de l’\u0153uvre du cin\u00e9aste (lire son indispensable bouquin, aux \u00e9ditions Ramsay Poche Cin\u00e9ma). Si Lancaster excelle dans le r\u00f4le d’un type ordinaire encore sous l’emprise amoureuse et charnelle de son ex-femme, Yvonne de Carlo incarne \u00e0 la perfection ce personnage f\u00e9minin unique dans les annales du film noir, peupl\u00e9 de garce et de femmes fatales aux motivations \u00e9videntes, l’app\u00e2t du gain et l’abus de leurs charmes. M\u00eame si elle est d\u00e9sign\u00e9e comme une cr\u00e9ature v\u00e9nale et une arriviste (surtout par la m\u00e8re du h\u00e9ros et son ami policier, deux t\u00e9moins \u00e0 charge imm\u00e9diatement suspects \u00e0 nos yeux) qui manipule le pauvre Lancaster esclave de ses sentiments, le film refuse d\u00e9lib\u00e9r\u00e9ment de la juger. Siodmak r\u00e9ussit l’osmose parfaite entre un genre impos\u00e9 et ses aspirations personnelles, ne se contente pas de semer des fausses pistes ou de multiplier les rebondissements m\u00e9lodramatiques et policiers. Il malm\u00e8ne la misogynie fonci\u00e8re du film noir et parvient \u00e0 rendre ind\u00e9cidable le portrait psychologique de son h\u00e9ro\u00efne. Jusqu’\u00e0 l’image finale, d\u00e9nouement tragique et abrupt, le spectateur est en droit de douter de la malignit\u00e9 de cette femme certes serpentine, mais amoureuse, sans doute. Hormis cette ambigu\u00eft\u00e9 passionnante, Pour toi, j\u2019ai tu\u00e9<\/i> s’impose aussi par sa structure narrative et sa mise en sc\u00e8ne aux confins de l’onirisme comme un grand film, dont la construction en flash-back a ensuite influenc\u00e9 de nombreux auteurs de polars. Un chef-d’\u0153uvre sur l’amour fou, l’amour flou.<\/p>\n

Nous reviendrons plus longuement et d\u00e8s que possible sur la filmographie certes in\u00e9gale mais passionnante de Robert Siodmak qui a r\u00e9alis\u00e9 plusieurs films admirables en France, en Allemagne et \u00e0 Hollywood : Mollenard <\/i>(1938), Son of Dracula<\/i> (1943), Les mains qui tuent<\/i> (Phantom Lady<\/i>, 1944), Deux mains, la nuit<\/i> (The Spiral Staircase<\/i>, 1945), Les SS frappent la nuit<\/i> (Nachts, wenn der Teufel kam<\/i>, 1957), etc.<\/p>\n","protected":false},"excerpt":{"rendered":"

Souvent pr\u00e9sent\u00e9 comme l’arch\u00e9type du film noir, sign\u00e9 Robert Siodmak, cin\u00e9aste allemand \u00e0 la carri\u00e8re internationale, auteur \u00e0 Hollywood des\u2026<\/p>\n","protected":false},"author":116,"featured_media":10523,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"yoast_head":"\nPour toi, j'ai tu\u00e9 de Robert Siodmak - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/26\/pour-toi-jai-tue-de-robert-siodmak\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pour toi, j'ai tu\u00e9 de Robert Siodmak - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Souvent pr\u00e9sent\u00e9 comme l’arch\u00e9type du film noir, sign\u00e9 Robert Siodmak, cin\u00e9aste allemand \u00e0 la carri\u00e8re internationale, auteur \u00e0 Hollywood des\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/26\/pour-toi-jai-tue-de-robert-siodmak\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2012-10-26T15:33:53+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-08-03T12:48:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2012\/10\/crisscross19491.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"1179\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/26\/pour-toi-jai-tue-de-robert-siodmak\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/26\/pour-toi-jai-tue-de-robert-siodmak\/\",\"name\":\"Pour toi, j'ai tu\u00e9 de Robert Siodmak - 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