{"id":7776,"date":"2012-10-17T08:58:22","date_gmt":"2012-10-17T06:58:22","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=7776"},"modified":"2016-07-05T13:12:29","modified_gmt":"2016-07-05T12:12:29","slug":"like-someone-in-love-dabbas-kiarostami","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/17\/like-someone-in-love-dabbas-kiarostami\/","title":{"rendered":"Like Someone in Love de Abbas Kiarostami"},"content":{"rendered":"
\"Like<\/a>

Like Someone in Love (2012)<\/p><\/div>\n

Pr\u00e9sent\u00e9 en s\u00e9lection officielle au Festival de Cannes, le nouveau film d\u2019Abbas Kiarostami n\u2019a pas re\u00e7u l\u2019accueil qu\u2019il m\u00e9ritait. Sa red\u00e9couverte \u00e0 t\u00eate repos\u00e9e (le film est sorti dans les salles fran\u00e7aises mercredi dernier, distribu\u00e9 par MK2 qui l\u2019a \u00e9galement produit) permettra d\u2019appr\u00e9cier la beaut\u00e9 d\u2019une \u0153uvre qui s\u00e9duit par la ma\u00eetrise \u00e9pur\u00e9e de sa mise en sc\u00e8ne et la subtilit\u00e9 de son discours sur le sentiment amoureux (\u00e0 moins que ce soit le rapport homme\/femme), d\u00e9clin\u00e9 en une s\u00e9rie de situations et v\u00e9cu par un petit nombre de protagonistes d\u2019\u00e2ge et de sexe diff\u00e9rents.<\/p>\n

Le film contient des moments magnifiques o\u00f9 la mise en sc\u00e8ne \u00e9pouse un sentiment ou une \u00e9motion, comme lorsque la jeune fille demande au chauffeur de taxi de tourner plusieurs fois autour de la place o\u00f9 sa grand-m\u00e8re l\u2019attend, pour pouvoir la voir et fuir en m\u00eame temps le rendez-vous avec la vieille dame aimante qui vient expr\u00e8s de sa lointaine campagne pour passer quelques heures avec elle.<\/p>\n

Cette sc\u00e8ne explicite l\u2019\u00e9tat de confusion de la jeune femme, partag\u00e9e entre la honte (elle se prostitue) et la jouissance que lui procure cette double identit\u00e9 et cette vie secr\u00e8te, et le pouvoir sur les hommes qu\u2019elle peut en tirer.<\/p>\n

Kiarostami d\u00e9cline ainsi la question de la d\u00e9pendance et de la domination amoureuse avec l\u2019entr\u00e9e en sc\u00e8ne du fianc\u00e9 jaloux ou, plus curieusement, de la voisine qui confesse une attirance refoul\u00e9e pour le vieux professeur.<\/p>\n

Quant au personnage du professeur, d\u00e9tenteur d\u2019une sagesse toute relative qui est celle de l\u2019\u00e2ge, il est le c\u0153ur opaque du film autour duquel tout gravite, figure de l\u2019intellectuel aux mains coup\u00e9es (on apprend qu\u2019il a \u00e9crit sur la violence) impuissant \u00e0 contr\u00f4ler l\u2019irruption de la passion et ses cons\u00e9quences tragiques dans une vie trop r\u00e9gl\u00e9e.<\/p>\n

Lorsque l\u2019\u00e9pure se marie avec une profondeur vertigineuse, le moins avec le plein, on arrive \u00e0 un cin\u00e9ma qui est l\u2019exact contraire de la production dominante, commerciale ou pas, \u00e0 la fois lourde et creuse. Kiarostami se ressource en allant tourner au Japon, paysage exotique qui ne fait que renforcer l\u2019universalit\u00e9 de son propos. Le cin\u00e9aste abandonne ses dispositifs qui avaient fini par fonctionner \u00e0 vide, d\u00e9laisse la tentation de l\u2019installation audiovisuelle et trop conceptuelle et se rapproche du cin\u00e9ma pour scruter les \u00e9motions, peintre doubl\u00e9 d\u2019un moraliste.<\/p>\n

Nous avons revu Like Someone In Love<\/i> avec beaucoup de plaisir lors d\u2019une avant premi\u00e8re la semaine derni\u00e8re, dans la nouvelle salle MK2 situ\u00e9e dans le Grand Palais. Sans doute que deux visions seulement ne parviennent pas \u00e0 \u00e9puiser la richesse secr\u00e8te du film. Lors d\u2019une br\u00e8ve pr\u00e9sentation, le producteur Marin Karmitz a salu\u00e9 Kiarostami comme l\u2019un des derniers cin\u00e9astes v\u00e9ritablement modernes, l\u2019un des rares grands auteurs dont le travail restait r\u00e9fractaire \u00e0 l\u2019acad\u00e9misme. On ne peut que lui donner raison, et cette r\u00e9flexion est particuli\u00e8rement vraie \u00e0 propos de Like Someone in Love<\/i>, qui multiplie les signes de reconnaissance (longues discussions en voitures, r\u00e9f\u00e9rences picturales, gestion magistrale de l\u2019espace) pour mieux brouiller les pistes, adopte un style et un propos en apparence limpides pour nous perdre dans des tr\u00e9sors de complexit\u00e9, \u00e0 l\u2019image de l\u2019\u00eatre humain et de ses d\u00e9sordres amoureux.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pr\u00e9sent\u00e9 en s\u00e9lection officielle au Festival de Cannes, le nouveau film d\u2019Abbas Kiarostami n\u2019a pas re\u00e7u l\u2019accueil qu\u2019il m\u00e9ritait. Sa\u2026<\/p>\n","protected":false},"author":116,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"yoast_head":"\nLike Someone in Love de Abbas Kiarostami - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/17\/like-someone-in-love-dabbas-kiarostami\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Like Someone in Love de Abbas Kiarostami - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Pr\u00e9sent\u00e9 en s\u00e9lection officielle au Festival de Cannes, le nouveau film d\u2019Abbas Kiarostami n\u2019a pas re\u00e7u l\u2019accueil qu\u2019il m\u00e9ritait. 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