{"id":7744,"date":"2012-10-16T09:20:06","date_gmt":"2012-10-16T07:20:06","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=7744"},"modified":"2015-09-05T15:19:31","modified_gmt":"2015-09-05T14:19:31","slug":"un-colt-pour-trois-salopards-de-burt-kennedy","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/16\/un-colt-pour-trois-salopards-de-burt-kennedy\/","title":{"rendered":"Un colt pour trois salopards de Burt Kennedy"},"content":{"rendered":"<div id=\"attachment_7745\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2012\/10\/un-colt-pour-trois-salopards-1971.jpg\"><img aria-describedby=\"caption-attachment-7745\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-7745\" title=\"Un colt pour trois salopards (1971)\" src=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2012\/10\/un-colt-pour-trois-salopards-1971.jpg\" alt=\"Un colt pour trois salopards (1971)\" width=\"640\" height=\"959\" srcset=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2012\/10\/un-colt-pour-trois-salopards-1971.jpg 3558w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2012\/10\/un-colt-pour-trois-salopards-1971-186x280.jpg 186w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2012\/10\/un-colt-pour-trois-salopards-1971-512x768.jpg 512w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2012\/10\/un-colt-pour-trois-salopards-1971-580x869.jpg 580w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-7745\" class=\"wp-caption-text\">Rachel Welsh dans Un colt pour trois salopards (1971)<\/p><\/div>\n<p>Le th\u00e8me de la vengeance traverse l\u2019histoire du cin\u00e9ma et en particulier le western et le film policier. Ces deux genres connurent de nombreuses m\u00e9tamorphoses et de surprenants avatars firent leur apparition \u00e0 l\u2019or\u00e9e des ann\u00e9es 70, comme en t\u00e9moigne le curieux film qui nous int\u00e9resse. <i>Un colt pour trois salopards <\/i>(<i>Hannie Caulder<\/i>, 1971) est un western de nationalit\u00e9 britannique, tourn\u00e9 \u00e0 Almer\u00eda, sous l\u2019influence crois\u00e9e de Sam Peckinpah et Sergio Leone, mis en sc\u00e8ne par un ancien sc\u00e9nariste de Budd Boetticher et de la soci\u00e9t\u00e9 de production de John Wayne Batjac qui signa \u00e0 la fin des ann\u00e9es 60 plusieurs westerns d\u00e9cadents au ton plus ou moins parodique et sombr\u00e9s justement dans l\u2019oubli. Burt Kennedy a aussi r\u00e9alis\u00e9 une excellente adaptation du roman de Jim Thompson (convoit\u00e9 un temps par Kubrick) <i>The Killer Inside Me<\/i> (1976) avec Stacy Keach avant l\u2019ignoble version de Winterbottom, et tourn\u00e9 des \u2013 mauvais \u2013 films dans l\u2019indiff\u00e9rence g\u00e9n\u00e9rale jusqu\u2019en 2000 (un an avant sa mort). <i>Un colt pour trois salopards <\/i>est peut-\u00eatre son meilleur film et sans aucun doute son titre de gloire, surprenant par son m\u00e9lange de violence et de distanciation \u00ab\u00a0pop\u00a0\u00bb et sa distribution h\u00e9t\u00e9roclite qui r\u00e9unit plusieurs habitu\u00e9s des westerns de l&rsquo;\u00e9poque (en particulier deux membres de la troupe de Peckinpah\u00a0: Ernest Borgnine et Strother Martin, plus Jack Elam \u2013 les trois salopards du titre fran\u00e7ais d\u2019exploitation) mais aussi les britanniques Christopher Lee, Diana Dors et plusieurs acteurs espagnols (tournage en Espagne oblige). Dans le m\u00eame genre excentrique et interlope, on pourrait rapprocher ce film hybride des <i>Brutes dans la ville<\/i> (<i>A Town Called Bastard<\/i>) de Robert Parrish tourn\u00e9 lui aussi en 1971 dans des conditions, des d\u00e9cors et un style comparables. Le sex symbol Raquel Welch \u00e9tait d\u00e9j\u00e0 apparue dans deux westerns (<i>Bandolero\u00a0!<\/i> et <i>Les 100 Fusils<\/i>) avant d\u2019accepter le r\u00f4le-titre, l\u2019un des plus notables et \u00e9rotiques de sa carri\u00e8re.<\/p>\n<p>Dans <i>Un colt pour trois salop<\/i><i>ards <\/i>Hannie Caulder cherche \u00e0 se venger de ses trois violeurs qui ont aussi assassin\u00e9 son mari. Elle est aid\u00e9e par un chasseur de primes. Ce titre embl\u00e9matique des films \u00ab\u00a0Grindhouse\u00a0\u00bb ayant pour h\u00e9ro\u00efnes de belles amazones vengeresses compte parmi les nombreuses sources d\u2019inspiration de Quentin Tarantino pour <i>Kill Bill<\/i> <i>vol. 1<\/i> et <i>2<\/i>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le th\u00e8me de la vengeance traverse l\u2019histoire du cin\u00e9ma et en particulier le western et le film policier. Ces deux\u2026<\/p>\n","protected":false},"author":116,"featured_media":7745,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Un colt pour trois salopards de Burt Kennedy - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/10\/16\/un-colt-pour-trois-salopards-de-burt-kennedy\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un colt pour trois salopards de Burt Kennedy - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Le th\u00e8me de la vengeance traverse l\u2019histoire du cin\u00e9ma et en particulier le western et le film policier. 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