{"id":7240,"date":"2012-09-15T08:00:34","date_gmt":"2012-09-15T06:00:34","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=7240"},"modified":"2015-02-20T14:10:18","modified_gmt":"2015-02-20T13:10:18","slug":"mishima-de-paul-schrader","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/09\/15\/mishima-de-paul-schrader\/","title":{"rendered":"Mishima de Paul Schrader"},"content":{"rendered":"
\"Mishima\"<\/a>

Mishima<\/p><\/div>\n

Paul Schrader est un cin\u00e9aste de la fascination. Si ses ambitions (tr\u00e8s grandes) de metteur en sc\u00e8ne n\u2019ont pas toujours abouti \u00e0 des r\u00e9ussites aussi spectaculaires que ses sc\u00e9narios film\u00e9s par d\u2019autres (Taxi Driver<\/em> en t\u00eate), il demeure un auteur sous-estim\u00e9 du cin\u00e9ma am\u00e9ricain moderne.<\/p>\n

Avec son magnifique La F\u00e9line<\/em> (Cat People<\/em>, 1982), meilleur remake jamais r\u00e9alis\u00e9 avec Scarface<\/em> (De Palma) et The Thing<\/em> (Carpenter), Mishima<\/em>\u00a0 (Mishima\u00a0: A Life in Four Chapters<\/em>, 1985) est le chef-d\u2019\u0153uvre de Schrader, du moins l\u2019apog\u00e9e de sa filmographie. Obs\u00e9d\u00e9 par la chute, la puret\u00e9 et le mal, Schrader ne pouvait que se passionner pour Mishima, figure controvers\u00e9e et paradoxale de la culture japonaise.<\/p>\n

Ecrivain brillant, cin\u00e9aste occasionnel, homosexuel flamboyant et p\u00e8re de famille, homme public aux id\u00e9es fortement nationalistes, Mishima cr\u00e9a une milice priv\u00e9e puis tenta la d\u00e9risoire prise d\u2019otage du g\u00e9n\u00e9ral commandant en chef des forces d\u2019autod\u00e9fense le 25 novembre 1970, avant de se donner la mort par seppuku<\/em> (\u00e9ventrement).<\/p>\n

Le film de Schrader propose une interpr\u00e9tation non chronologique de la vie de Mishima, en choisissant trois axes (et trois esth\u00e9tiques) : l\u2019\u00e9vocation biographique (des ann\u00e9es d\u2019enfance \u00e0 la c\u00e9l\u00e9brit\u00e9), la mise en sc\u00e8ne hyper stylis\u00e9e de trois romans, enfin la reconstitution sous une forme pseudo documentaire de la derni\u00e8re journ\u00e9e de Mishima.<\/p>\n

Le r\u00e9sultat est une symphonie visuelle d\u2019une stup\u00e9fiante beaut\u00e9 glac\u00e9e et d\u2019une rare intelligence.<\/p>\n

Gr\u00e2ce au soutien financier de Francis Coppola et George Lucas, Schrader a pu finalement tourner son film dans de bonnes conditions malgr\u00e9 l\u2019opposition de la veuve de Mishima et l\u2019hostilit\u00e9 de l\u2019extr\u00eame droite nippone.<\/p>\n

Le cas Mishima est toujours tabou au Japon, o\u00f9 le film de Schrader demeure in\u00e9dit.<\/p>\n

Koji Wakamatsu vient de consacrer un film \u00e0 la derni\u00e8re journ\u00e9e de Mishima, pr\u00e9sent\u00e9 cette ann\u00e9e au Festival de Cannes dans la section Un Certain Regard. Pas encore vu.<\/p>\n","protected":false},"excerpt":{"rendered":"

Paul Schrader est un cin\u00e9aste de la fascination. Si ses ambitions (tr\u00e8s grandes) de metteur en sc\u00e8ne n\u2019ont pas toujours\u2026<\/p>\n","protected":false},"author":116,"featured_media":14841,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nMishima de Paul Schrader - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/09\/15\/mishima-de-paul-schrader\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mishima de Paul Schrader - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Paul Schrader est un cin\u00e9aste de la fascination. 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