{"id":7231,"date":"2012-09-06T08:00:35","date_gmt":"2012-09-06T06:00:35","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=7231"},"modified":"2020-04-10T18:22:25","modified_gmt":"2020-04-10T17:22:25","slug":"retrospective-manoel-de-oliveira-a-la-cinematheque-francaise","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/09\/06\/retrospective-manoel-de-oliveira-a-la-cinematheque-francaise\/","title":{"rendered":"R\u00e9trospective Manoel de Oliveira \u00e0 la Cin\u00e9math\u00e8que fran\u00e7aise"},"content":{"rendered":"

La Cin\u00e9math\u00e8que fran\u00e7aise propose du 6 septembre au 22 octobre la r\u00e9trospective compl\u00e8te des films de Manoel de Oliveira, qui d\u00e9bute ce soir avec l\u2019avant-premi\u00e8re de son nouveau film G\u00e9bo et l\u2019ombre<\/em> (pas encore vu).<\/p>\n

Parmi nos films pr\u00e9f\u00e9r\u00e9s d\u2019Oliveira il y a NON ou la vaine gloire de commander<\/em>, r\u00e9alis\u00e9 en 1990 lorsque le cin\u00e9aste portugais retrouvait une seconde jeunesse et encha\u00eenait film sur film gr\u00e2ce au producteur Paulo Branco qui l\u2019avait remis au travail dix ans plus t\u00f4t avec le magnifique Francisca<\/em> (1981), point de d\u00e9part d\u2019une cr\u00e9ativit\u00e9 et d\u2019une productivit\u00e9 incroyables qui perdurent encore.<\/p>\n

1974, dans une colonie portugaise d\u2019Afrique. Charg\u00e9 avec ses soldats de la r\u00e9pression d\u2019un mouvement de lib\u00e9ration local, un lieutenant \u00e9voque \u00e0 chaque moment de pause les grandes \u00e9tapes de l\u2019Histoire du Portugal. Si la plupart des films d\u2019Oliveira sont des portraits de femmes celui-ci, un des plus ambitieux de son auteur, longuement m\u00fbri et inspir\u00e9 par la R\u00e9volution des \u0153illets, entend dresser le portrait d’un pays, le Portugal, au travers des plus cuisantes d\u00e9faites de son Histoire. Le film s’appuie sur des faits rigoureusement exacts racont\u00e9s avec la plus grande objectivit\u00e9. Mais cette r\u00e9flexion sur l’Histoire, le patriotisme et la vanit\u00e9 militaire dans laquelle il ressort que le Portugal est grand non par ses conqu\u00eates et ses batailles mais par ses legs \u00e0 l’humanit\u00e9 s’av\u00e8re avant tout un immense po\u00e8me cin\u00e9matographique.<\/p>\n

Trois ans plus tard Val Abraham<\/em> est un autre titre essentiel de la filmographie d\u2019Oliveira, sublime chef-d’\u0153uvre, relecture sensuelle et lumineuse de \u00ab\u00a0Madame Bovary\u00a0\u00bb qui contourne l\u2019adaptation en s\u2019inspirant d\u2019un roman portugais d\u2019Agustina Bessa-Lu\u00eds lui-m\u00eame inspir\u00e9 du roman de Flaubert. Superbe interpr\u00e9tation de Leonor Silveira, actrice f\u00e9tiche du cin\u00e9aste durant les ann\u00e9es 90.
\n\u00a0<\/em><\/p>\n

Je rentre \u00e0 la maison<\/em> est aussi l\u2019un des meilleurs films d\u2019Oliveira.<\/p>\n

Un grand com\u00e9dien de th\u00e9\u00e2tre (Michel Piccoli) a perdu sa famille dans un accident de voiture. Il est d\u00e9sormais seul avec son petit-fils qu’il adore. Il accepte un bref r\u00f4le dans une adaptation de Joyce au cin\u00e9ma, mais sa journ\u00e9e de tournage vire au d\u00e9sastre.<\/p>\n

Ce film de Manoel de Oliveira a rencontr\u00e9 un v\u00e9ritable succ\u00e8s public lors de sa sortie en 2001 apr\u00e8s sa projection au Festival de Cannes. Sans doute cette \u0153uvre \u00e9tait-elle plus accessible que d’autres dans la longue carri\u00e8re du plus grand (et du plus vieux) cin\u00e9aste en activit\u00e9. Mais Je rentre \u00e0 la maison <\/em>s\u00e9duit avant tout parce qu’il traite avec l\u00e9g\u00e8ret\u00e9 et \u00e9l\u00e9gance des th\u00e8mes aussi graves que le deuil, la vieillesse et la fin de la vie. Manoel de Oliveira a expliqu\u00e9 que l’id\u00e9e de d\u00e9part du film qui pour une fois n\u2019est pas une adaptation litt\u00e9raire lui fut inspir\u00e9e par un incident survenu \u00e0 un acteur sur le tournage de son film pr\u00e9c\u00e9dent Parole et Utopie<\/em>.<\/p>\n

Nous ne saurions \u00e9galement trop recommander deux autres films r\u00e9cents du cin\u00e9aste qui comptent parmi ses plus beaux et confirment sa proximit\u00e9 avec Bu\u00f1uel\u00a0: Singularit\u00e9s d\u2019une jeune fille blonde<\/em> (2009) et L\u2019Etrange Affaire Ang\u00e9lica<\/em> (2010).<\/p>\n","protected":false},"excerpt":{"rendered":"

La Cin\u00e9math\u00e8que fran\u00e7aise propose du 6 septembre au 22 octobre la r\u00e9trospective compl\u00e8te des films de Manoel de Oliveira, qui\u2026<\/p>\n","protected":false},"author":116,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nR\u00e9trospective Manoel de Oliveira \u00e0 la Cin\u00e9math\u00e8que fran\u00e7aise - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/09\/06\/retrospective-manoel-de-oliveira-a-la-cinematheque-francaise\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9trospective Manoel de Oliveira \u00e0 la Cin\u00e9math\u00e8que fran\u00e7aise - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"La Cin\u00e9math\u00e8que fran\u00e7aise propose du 6 septembre au 22 octobre la r\u00e9trospective compl\u00e8te des films de Manoel de Oliveira, qui\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/09\/06\/retrospective-manoel-de-oliveira-a-la-cinematheque-francaise\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2012-09-06T06:00:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-04-10T17:22:25+00:00\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/09\/06\/retrospective-manoel-de-oliveira-a-la-cinematheque-francaise\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/09\/06\/retrospective-manoel-de-oliveira-a-la-cinematheque-francaise\/\",\"name\":\"R\u00e9trospective Manoel de Oliveira \u00e0 la Cin\u00e9math\u00e8que fran\u00e7aise - 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