{"id":6909,"date":"2012-08-09T08:01:31","date_gmt":"2012-08-09T06:01:31","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=6909"},"modified":"2015-08-09T19:09:43","modified_gmt":"2015-08-09T18:09:43","slug":"locarno-2012-day-9-hpg-2","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/08\/09\/locarno-2012-day-9-hpg-2\/","title":{"rendered":"Locarno 2012 Day 9 : HPG"},"content":{"rendered":"
\"Eric<\/a>

Eric Cantona, Joana Preiss, HPG and Rachida Brakni<\/p><\/div>\n

Lire en fran\u00e7ais<\/a><\/p>\n

Herv\u00e9-Pierre Gustave, alias HPG, was born in 1966. In 1990 he made his first porn film Service actif <\/em>directed by Jean-Daniel Cadinot, and soon became one of the most active and distinctive actors on the international X-movie scene, with a truly Stakhanovite work rate. In 1995 he started to produce and direct non-pornographic short films which, however, are in no way \u201c traditional\u201d. The first, Acteur X pour vous servir<\/em>, already displayed in embryo the qualities and characteristics of his subsequent films, as the early chapters of a \u201c work in progress\u201d\u00a0 in the form of a self-portrait, functioning as both confession and exorcism. Blending fiction, documentary and diary, the young filmmaker ignored taboos and compromise as he questioned his place in the world of film, his relationship with his own body and his image, and his problematic romantic relationships. In 2001, with HPG, son vit, son \u0153uvre<\/em> HPG made an astonishing filmed diary, revealing a character both appealing and unbearable, vulnerable and manipulative, endowed with a devastating sense of humour and a tendency to self-destruction. We see HPG in his everyday life, but also at work, at some of his video auditions, made with women wanting to feature in amateur porn films, that provoked the ire of feminists from the Association des Chiennes de garde. HPG, rejecting any kind of censorship, responded with a short film-tract, Chiennes, prenez garde<\/em>. His subsequent short films (H\u00f4pital psychiatrique de garnison, Hypergolique<\/em>), in turn poetic, polemical and provocative, confirmed HPG\u2019s talent and the originality of his filmmaking approach. HPG became a controversial love-hate figure in both the art and media world. The Cin\u00e9math\u00e8que fran\u00e7aise has supported him since his early films, and devoted two memorable evenings to him where he showed his films and spoke freely about his work. \u00a0In 2006 his first theatrical feature, On ne devrait pas exister\/We Shoudl Not Exist<\/em> was selected for the the Cannes Directors\u2019 Fortnight (when I was running that sectoin). HPG continues to produce or perform in porn films to finance his personal projects.<\/p>\n

\"On<\/a>

On ne devrait pas exister<\/p><\/div>\n

On ne devrait pas exister<\/em>, HPG\u2019s first theatrical feature film, is a fascinating stage in the process of introspection undertaken by the famous French hard-core actor on the margins of his porn career. Since 1995 HPG has produced an eccentric and highly personal body of work comprised of tortured film diaries and melancholic, farcical essays, reflections and interrogations about the profession of acting: all of which concerns are present in On ne devrait pas exister<\/em>. One could even regard this as the conclusion of a first, highly narcissistic and nihilist period in his work. With a great deal of humour, but also melancholy and anxiety, the filmmaker lays bare on screen his own contradictions, those of a hard-core actor humilated by endless porn shoots where he cannot express any of the feelings that \u201cnormal\u201d\u00a0 actors do. In this film-essay HPG revisits the paradoxes of being an actor and the eternal debate between the true and the false, real life and the imaginary, central to any work of drama and film. The film is punctuated by three painful moments, in which Herv\u00e9 comes up against his limitations, his desire to become an actor despite an inability to leave his own character behind.<\/p>\n

The catastrophic start of a porn film shoot, the altercation with students at an acting class, who Herv\u00e9 reproaches for knowing nothing at all about life, Herv\u00e9\u2019s failure to perform his lines with Marilou Berry and Rachida Brakni at the rehearsal with the director Bertrand Bonello are thus the film\u2019s high points. HPG has the courage to critique himself, and interrogates eveything, including his relationship with his then partner, LZA, who also wants to perform in public and exhibit her own sufferings (with Danger risque de chute<\/em> HPG dedicated a short film to her, in the form of a heart-rending farewell.) Although serious in intent, the film does however contain several delirious moments of absurd humour and pure buffoonery. Although the film seems like something from another planet on the landscape of French cinema, HPG might well be the last in the line of maverick filmmakers who have never made conventional films, such as Jean Eustache, Luc Moullet or Jean-Pierre Mocky.<\/p>\n

\"Les<\/a>

Les Mouvements du bassin, l’un des 15 films de la comp\u00e9tition \u00ab\u00a0Cin\u00e9astes du pr\u00e9sent\u00a0\u00bb<\/p><\/div>\n

\"Les<\/a>

Les Mouvements du bassin, l’un des 15 films de la comp\u00e9tition \u00ab\u00a0Cin\u00e9astes du pr\u00e9sent\u00a0\u00bb<\/p><\/div>\n

His second feature, another more clearly fictional \u201c UFO\u201d, Les Mouvements du bassin<\/em>, will screen tomorrow as a world premi\u00e8re in the Festival del film Locarno\u2019s Filmmakers of the Present section. HPG will be accompanied by one of his leading actors, Rachida Brakni, Joanna Preiss and Eric Cantonna (Rachida\u2019s real life husband) who has pursued a fascinating conversion to film actor following a brilliant footballing career, and who will also take a walk around the Piazza Grande to the delight of his numerous admirers.<\/p>\n

We met HPG before the start of the Festival, to ask him some questions about his new film for the press dossier (the film will be released in France on Wednesday September 19, distributed by Capricci (also the film\u2019s co-producer). Here they are!<\/p>\n

THE MOVE TO FICTION<\/strong><\/p>\n

OP: Les Mouvements du bassin<\/em> marks a new phase in your trajectory as a filmmaker in several regards. First, it is a move from fictional autobiographical to pure\u00a0fiction: you choose to tell a story with invented characters, and you have put hardcore aside. \u00a0Would you like to get away from the \u201cpersonal diary\u201d \u00a0label?<\/strong><\/p>\n

HPG: I find reality remains far wilder and more cinematic than fiction. Overly constructed scenarios don\u2019t interest me. So I have tried to stay close to reality, but I don\u2019t hesitate to turn it into fantasy. This must be the result of my long years in the porn industry. I\u2019ve been a porn actor for 25 years and a director-producer for over a decade. Which leads me to blend reality and fantasy and not to separate my private life from my public life.<\/p>\n

OP: Incidentally, this is the first time that you have attempted to depict a female character. Was that a challenge? <\/strong><\/p>\n

HPG: The starting point is a woman who has a miscarriage caused by someone else. Nobody helps her. She decides to seek out the guy who assaulted her to demand reparation. She finds him and demands that he makes her pregnant. Some might find this solution, this attempt to put herself back together, \u00a0incredibly brave or, on the other hand, monstrous and illogical. What I was interested in was how this woman goes about trying to regain her equilibrium, her sense of self. She is the real heroine of the film, which is an account of her odyssy. When I was writing, the story of a pregnant woman was a million miles away from anything I\u2019ve experienced. I tried to put myself in her place.<\/p>\n

OP: Initially, you weren\u2019t planning to play the lead character. Would you like to remove yourself from your films, to no longer be at their centre? When did you decide to play the r\u00f4le? <\/strong><\/p>\n

HPG: I\u2019d like to get away from obsessive\u00a0 navel-gazing. But, being susceptible to flattery, as soon as I was encouraged to do so, I immediately changed my mind. But I hope that, in truth, the main reason is that I was afraid of not being up to it as an actor. I have always known that this character was close to who I am, although I would have taken him in another direction. I hope I am less extreme than this character. Some would say not and they might be right.<\/p>\n

OP: Eric Cantona, Rachida Brakni\u2026 you wanted to work with stars? <\/strong><\/p>\n

HPG\u00a0: I wanted to make a film with characters I\u2019d like to be around. \u00a0I don\u2019t care whether they are famous or not. \u00a0I like \u00a0Eric Cantona and J\u00e9r\u00f4me Le Banner, that\u2019s all there is to it. We\u2019re three buddies, who, after having had sports careers, are doing what we can to work. We haven\u2019t studied acting, taken classes. We just work it out as best we can, on instinct. We\u2019re big but sensitive kids in adult bodies. And I like Rachida Brakni. She has a fiendish technique, which isn\u2019t at all obvious. The complete opposite of me.<\/p>\n

SELF PORTRAIT<\/strong><\/p>\n

OP: Your character has nothing going for him. Yet he ends up by being quite moving because he\u2019s so pathetic. How do you see him? As a total failure? <\/strong><\/p>\n

HPG\u00a0: He\u2019s how I was when I was 10, and sometimes the way I still am now. A guy who wanted to be popular, but nev er succeeded because he\u2019s socially awkard, inept. These are drawbacks that can make a character touching. He struggles with himself. So the ray of hope that appears is all the more affecting.<\/p>\n

OP: The bridge between the character you play here and the ones you played in the earlier films is physical comedy, a kind of lyricism manifest in the dance steps and martial arts movements. Where did that idea, the dancing that appears several times in the film, come from? <\/strong><\/p>\n

HPG: I love Buster Keaton, female dancers, the warrior\u2019s death dance, exhibitionists, nutjobs, the way people ramble when they\u2019re drunk, madness\u2026 and how they regain their balance in the end. When I am in front of the camera I instinctively express myself physically more than intellectually. Which is normal for a hard-core porn actor. For me, as an actor or director, making a porn film or a traditional film is pretty similar.<\/p>\n

OP: Isn\u2019t the film\u2019s central question, basically: how to deal with fatherhood? And if that is so, wouldn\u2019t that make Les Mouvements du bassin<\/em> paradoxically, your most autobiographical film?<\/strong><\/p>\n

HPG\u00a0: It is autobiographical to an extent I couldn\u2019t imagine at the time. So close to what I was going through \u2026 I wanted to make this film to be able to talk about things I can\u2019t deal with directly. First, to find out: how to be a father? But more generally, I wanted to discuss things I didn\u2019t know. As I was saying, to identify myself with a woman who is expecting a child and who loses it. As a hardcore porn actor I have no legitimacy to put myself in a woman\u2019s position. So I was incredibly scared. Also, I wanted to talk about children because I knew that I was soon about to become a father and I wanted to prepare myself psychologically.<\/p>\n

A CRUEL AND PITILESS WORLD <\/strong><\/p>\n

OP: The film is very pessimistic. What we are witnessing is the failure of masculinity. The guy who gets fired all the time, reduced to the state of a vegetable. In contrast, there is the triumph of feminity: the woman is strong, can survive terrible ordeals. Where does this vision of the world come from? <\/strong><\/p>\n

HPG\u00a0: Sometimes life is so impossible to understand \u2026<\/p>\n

The woman is neither stronger nor weaker than the man. It\u2019s just we fight with different weapons sometimes. It is true that the character Rachida plays in the film is a woman who fights with great courage. I like that kind of person. I like getting a dressing-down. Why? Because I\u2019m a confident kind of guy. Portraying a character who follows a trajectory that is signposted, with a beginning, a climax and an ending, that\u2019s just not my thing. For me, Herv\u00e9 the zoo-keeper has gone through ordeals that should help him reflect on his destiny. If he starts analysing what he has done, how he has ruined his life, if that\u2019s what you see in his eyes in the final shot of the film, you will understand that he still has options, he can still try to improve. Clearly, you don\u2019t know if he has realised his stupidity but what\u2019s important is that he\u2019s thinking.<\/p>\n

OP: It really reminded me of certain Marco Ferreri films. And then, obviously, Bukowski\u2026 What have been your influences? <\/strong><\/p>\n

HPG\u00a0: Barbet Schroeder, Charles Bukowski, Gaspar No\u00e9 and if you think about crazy people, it\u2019s pretty likely they\u2019d also be sources of inspiration, but not really consciously \u2026 I make films, not to control myself, but to lose myself and try to find a way to deal with, get through, things. This attempt is what I\u2019m interested in filming. In the end, the film, and it\u2019s the case here, should convey a positive, optimistic message. I\u2019m not interested in remaining in a dark place. I always tend to tragi-comedy, the world is tough enough as it is. What\u2019s what \u00a0Les Mouvements du bassin<\/em> is, a tragi-comedy.<\/p>\n

Interview in Paris Friday June 8, 2012. Thanks to Julien Rejl at Capricci films.<\/p>\n","protected":false},"excerpt":{"rendered":"

Lire en fran\u00e7ais Herv\u00e9-Pierre Gustave, alias HPG, was born in 1966. In 1990 he made his first porn film Service\u2026<\/p>\n","protected":false},"author":116,"featured_media":6954,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,7],"tags":[],"yoast_head":"\nLocarno 2012 Day 9 : HPG - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/08\/09\/locarno-2012-day-9-hpg-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Locarno 2012 Day 9 : HPG - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Lire en fran\u00e7ais Herv\u00e9-Pierre Gustave, alias HPG, was born in 1966. 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