{"id":6586,"date":"2012-07-29T08:00:48","date_gmt":"2012-07-29T06:00:48","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=6586"},"modified":"2015-08-09T19:25:38","modified_gmt":"2015-08-09T18:25:38","slug":"locarno-2012-day-3-fenetre-sur-cour-dalfred-hitchcock","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/07\/29\/locarno-2012-day-3-fenetre-sur-cour-dalfred-hitchcock\/","title":{"rendered":"Locarno 2012 Day -3 : Fen\u00eatre sur cour de Alfred Hitchcock"},"content":{"rendered":"
\"Fene\u0302tre<\/a>

Fene\u0302tre sur cour<\/p><\/div>\n

Cette ann\u00e9e Hollywood c\u00e9l\u00e8bre un double anniversaire\u00a0: celui du centenaire de deux de ses plus grands studios, Universal et Paramount.<\/p>\n

A cette occasion, Universal a restaur\u00e9 num\u00e9riquement quelques titres embl\u00e9matiques de son riche catalogue, parmi lesquels Frankenstein<\/em> de James Whale, Du silence et des ombres<\/em> de Robert Mulligan (voir notre texte http:\/\/olivierpere.wordpress.com\/2012\/06\/17\/robert-mulligan-un-cineaste-trop-discret\/<\/a>), Charade<\/em> de Stanley Donen, E.T. l\u2019extra-terrestre<\/em> et Les Dents de la mer<\/em> de Steven Spielberg (voir notre texte http:\/\/olivierpere.wordpress.com\/2012\/05\/23\/cannes-2012-day-8-les-dents-de-la-mer-de-steven-spielberg-cannes-classics\/<\/a>), Fen\u00eatre sur cour<\/em> et Les Oiseaux<\/em> d\u2019Alfred Hitchcock. Nous avons choisi Fen\u00eatre sur cour<\/em>, qui fut distribu\u00e9 \u00e0 l\u2019\u00e9poque par Paramount, histoire de faire un clin d\u2019\u0153il \u00e0 la compagnie rivale et de souhaiter aux deux majors un bon anniversaire.<\/p>\n

Fen\u00eatre sur cour<\/em> (Rear Window<\/em>, 1954) d’Alfred Hitchcock avec James Stewart et Grace Kelly et l\u2019un des films les plus c\u00e9l\u00e8bres, les plus g\u00e9niaux et les plus populaire du grand cin\u00e9aste anglais et de sa p\u00e9riode hollywoodienne.<\/p>\n

Un photographe immobilis\u00e9 dans son appartement de Greenwich Village, la jambe fractur\u00e9e apr\u00e8s un accident, passe ses journ\u00e9es \u00e0 observer au t\u00e9l\u00e9objectif les habitants de l’immeuble d’en face. Le comportement d’un de ses voisins \u00e9veille ses soup\u00e7ons et il a bient\u00f4t la certitude d’avoir \u00e9t\u00e9 t\u00e9moin d’un assassinat.<\/p>\n

Fen\u00eatre sur cour<\/em> marque l’aboutissement des recherches d’Hitchcock sur le huis clos, \u00ab\u00a0la concentration th\u00e9\u00e2trale\u00a0\u00bb, apr\u00e8s La Corde<\/em> (Rope<\/em>, 1948) tourn\u00e9 en plan-s\u00e9quence dans un d\u00e9cor unique et Le crime \u00e9tait presque parfait<\/em> (Dial M for Murder<\/em>, 1954), dans lequel le proc\u00e9d\u00e9 3D (on parlait encore \u00e0 l\u2019\u00e9poque de \u00ab\u00a0relief\u00a0\u00bb) \u00e9tait le moyen paradoxal d\u2019exacerber la dimension th\u00e9\u00e2trale de son film avec un jeu permanent sur la profondeur de champ, amplifi\u00e9e dans le dessein de recr\u00e9er l’espace sc\u00e9nique des planches. Ici l’action est concentr\u00e9e dans l’espace autarcique d’une cour d’immeuble vu d’un petit appartement, le tout reconstitu\u00e9 en studio avec un soin maniaque. Le film est c\u00e9l\u00e8bre parce qu’il explicite le voyeurisme ontologique du spectacle cin\u00e9matographique. Dans Fen\u00eatre sur cour<\/em>, sans doute le plus parfait des films \u00e0 suspense du cin\u00e9aste, une perversion cache une n\u00e9vrose. La mauvaise pulsion du personnage interpr\u00e9t\u00e9 par James Stewart est motiv\u00e9e par son d\u00e9s\u0153uvrement, son impuissance temporaire, mais constitue aussi un d\u00e9rivatif \u00e0 l’angoisse du mariage (sa fianc\u00e9e Grace Kelly veut lui mettre la corde au cou). Il n’est pas innocent que le spectacle secret offert par les voisins propose diverses d\u00e9clinaisons, grotesques, path\u00e9tiques, ali\u00e9nantes de la conjugalit\u00e9, et que le meurtrier a tu\u00e9 son \u00e9pouse. Un chef-d’\u0153uvre \u00e0 revoir en couple ou une jambe dans le pl\u00e2tre, un huis clos magistral sur le cin\u00e9ma et la place du spectateur qui prendra une nouvelle dimension spectaculaire projet\u00e9 dans l\u2019espace grandiose de la Piazza Grande, dans une restauration num\u00e9rique en 2K flambant neuve, en vue de la sortie prochaine d\u2019un blu-ray.<\/p>\n

\"James<\/a>

James Stewart, Grace Kelly, and Alfred Hitchcock on the set of Rear Window (1954)<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Cette ann\u00e9e Hollywood c\u00e9l\u00e8bre un double anniversaire\u00a0: celui du centenaire de deux de ses plus grands studios, Universal et Paramount.\u2026<\/p>\n","protected":false},"author":116,"featured_media":9283,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nLocarno 2012 Day -3 : Fen\u00eatre sur cour de Alfred Hitchcock - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/07\/29\/locarno-2012-day-3-fenetre-sur-cour-dalfred-hitchcock\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Locarno 2012 Day -3 : Fen\u00eatre sur cour de Alfred Hitchcock - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Cette ann\u00e9e Hollywood c\u00e9l\u00e8bre un double anniversaire\u00a0: celui du centenaire de deux de ses plus grands studios, Universal et Paramount.\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/07\/29\/locarno-2012-day-3-fenetre-sur-cour-dalfred-hitchcock\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2012-07-29T06:00:48+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-08-09T18:25:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2013\/04\/fenetre-sur-cour-rear-window-grace-kelly-james-stewart.jpg.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1232\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/07\/29\/locarno-2012-day-3-fenetre-sur-cour-dalfred-hitchcock\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/07\/29\/locarno-2012-day-3-fenetre-sur-cour-dalfred-hitchcock\/\",\"name\":\"Locarno 2012 Day -3 : Fen\u00eatre sur cour de Alfred Hitchcock - 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