{"id":6347,"date":"2012-07-16T07:00:47","date_gmt":"2012-07-16T05:00:47","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=6347"},"modified":"2015-02-20T14:00:20","modified_gmt":"2015-02-20T13:00:20","slug":"pulsions-de-brian-de-palma","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/07\/16\/pulsions-de-brian-de-palma\/","title":{"rendered":"Pulsions de Brian De Palma"},"content":{"rendered":"
\"Pulsions

Pulsions (1980)<\/p><\/div>\n

Pulsions<\/em> (Dressed to Kill<\/em>, 1980) ressort sur les \u00e9crans fran\u00e7ais le 18 juillet, distribu\u00e9 par Mission. Une reprise estivale \u00e0 ne pas manquer.<\/p>\n

Dans les films de De Palma, et dans Pulsions<\/em> en particulier, l\u2019important est de savoir mourir en beaut\u00e9. Une h\u00e9ro\u00efne hawksienne sur le retour (Angie Dickinson), maquill\u00e9e en h\u00e9ro\u00efne hitchcockienne sur le retour, est assassin\u00e9e dans un ascenseur par une tueuse androgyne. Les deux blondes avaient le m\u00eame psy. Il est interpr\u00e9t\u00e9 par Michael Caine, acteur anglais blond c\u00e9l\u00e8bre pour avoir refus\u00e9 de jouer l\u2019obs\u00e9d\u00e9 sexuel psychopathe de Frenzy<\/em>, le dernier film d\u2019Alfred Hitchcock tourn\u00e9 en Grande-Bretagne, et chef-d\u2019\u0153uvre malade du ma\u00eetre. Il y a aussi Nancy Allen, la petite amie de De Palma au moment du tournage, abonn\u00e9e aux r\u00f4les de putes au grand c\u0153ur. Et Keith Gordon, l\u2019\u00e9trange adolescent attard\u00e9 des ann\u00e9es 80 qui apr\u00e8s des r\u00f4les chez De Palma et Carpenter (Christine<\/em>) deviendra cin\u00e9aste.<\/p>\n

Pulsions<\/em> est le titre fran\u00e7ais de Dressed to Kill<\/em> de Brian De Palma. Le titre original signifie litt\u00e9ralement \u00ab\u00a0habill\u00e9 pour tuer\u00a0\u00bb – et d\u00e9voile pour le coup la surprise finale que r\u00e9serve le film aux rares spectateurs innocents, –\u00a0 mais on peut surtout traduire \u00ab\u00a0Dressed to Kill\u00a0\u00bb par \u00ab\u00a0\u00eatre sur son trente et un\u00a0\u00bb. Le titre fran\u00e7ais est un bon titre, mais le titre am\u00e9ricain ne trompe pas sur la marchandise et d\u00e9signe \u00e0 la perfection le travail de De Palma, qui semble dire\u00a0: \u00ab\u00a0Je vais vous en mettre plein la vue, et habiller mon film des plus beaux mouvements de cam\u00e9ra, malgr\u00e9 un sc\u00e9nario de camelote, puritaine de surcro\u00eet (jouissance = mort)\u00a0\u00bb. Pulsions<\/em> emprunte beaucoup \u00e0 Psychose<\/em> (le meurtre de l\u2019h\u00e9ro\u00efne en d\u00e9but de film, le tueur travesti) et \u00e0 Sueurs froides<\/em> (la sc\u00e8ne du mus\u00e9e). De Palma aime alterner les passages paroxystiques de violence ou d\u2019\u00e9motion avec de longues plages d\u2019attente, musicales et silencieuses, qui sont souvent des sc\u00e8nes de filature ou de voyeurisme. On touche l\u00e0 \u00e0 la fameuse inspiration hitchcockienne du cin\u00e9aste, qui a r\u00e9alis\u00e9 une s\u00e9rie de films (de S\u0153urs de sang<\/em> \u00e0 Body Double<\/em>) entre pastiche et relecture postmoderniste autour des chefs-d\u2019\u0153uvre d\u2019Alfred Hitchcock. Malin, De Palma signe avec Pulsions<\/em> deux films en un\u00a0: un thriller tape-\u00e0-l\u2019\u0153il et une r\u00e9flexion m\u00e9lancolique sur la perte d\u2019aura du cin\u00e9ma hollywoodien, condamn\u00e9 \u00e0 subir les outrages de jeunes cin\u00e9philes pervers.<\/p>\n

Conclusion : Pulsions<\/em> est parvenu \u00e0 racoler les spectateurs de doubles programmes sexy sur la 42\u00e8me rue et s\u00e9duire le public cultiv\u00e9 d\u2019une salle de mus\u00e9e d\u2019art moderne parisien. Pour les Am\u00e9ricains, Pulsions<\/em> est un film d\u2019exploitation de luxe, du super William Castle \u00e0 base de changement de sexe et de meurtre au rasoir (souvenez-vous d\u2019Homicidal<\/em>). En France, c\u2019est un chef-d\u2019\u0153uvre mani\u00e9riste, une le\u00e7on de mise en sc\u00e8ne. A voir et \u00e0 revoir en attendant de d\u00e9couvrir tr\u00e8s prochainement Passion<\/em>, le nouveau film de De Palma qui est un remake de Crime d\u2019amour<\/em> d\u2019Alain Corneau (on aura tout vu.)<\/p>\n","protected":false},"excerpt":{"rendered":"

Pulsions (Dressed to Kill, 1980) ressort sur les \u00e9crans fran\u00e7ais le 18 juillet, distribu\u00e9 par Mission. Une reprise estivale \u00e0\u2026<\/p>\n","protected":false},"author":116,"featured_media":14834,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nPulsions de Brian De Palma - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/07\/16\/pulsions-de-brian-de-palma\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pulsions de Brian De Palma - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Pulsions (Dressed to Kill, 1980) ressort sur les \u00e9crans fran\u00e7ais le 18 juillet, distribu\u00e9 par Mission. 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