{"id":5525,"date":"2012-03-03T09:00:34","date_gmt":"2012-03-03T08:00:34","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=5525"},"modified":"2015-09-05T15:25:58","modified_gmt":"2015-09-05T14:25:58","slug":"the-brown-bunny-de-vincent-gallo","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/03\/03\/the-brown-bunny-de-vincent-gallo\/","title":{"rendered":"The Brown Bunny de Vincent Gallo"},"content":{"rendered":"
\"Vincent<\/a>

Vincent Gallo et Chlo\u00eb Sevigny dans The Brown Bunny (2003)<\/p><\/div>\n

Vincent Gallo est un cas \u00e0 part\u00a0: cet homme aux multiples talents comme il aime se d\u00e9finir lui-m\u00eame est n\u00e9 en 1961 \u00e0 Buffalo, dans l\u2019\u00e9tat de New York, de parents originaires de Sicile. Il est d\u2019abord musicien dans de nombreux groupes de rock et fr\u00e9quente la sc\u00e8ne artistique new yorkaise, notamment le peinte Jean-Michel Basquiat. Il est \u00e9galement mannequin pour de nombreuses campagnes de publicit\u00e9. Cin\u00e9phile passionn\u00e9, il se consacre d\u2019abord au m\u00e9tier d\u2019acteur, aid\u00e9 par un physique et un charisme exceptionnels. Interpr\u00e8te d\u2019une quarantaine de films et t\u00e9l\u00e9films, on le remarque dans Les Affranchis<\/em> de Martin Scorsese, Arizona Dream<\/em> d\u2019Emir Kusturica, les films de Claire Denis (US Go Home<\/em>, Nenette et Boni<\/em>, Trouble Every Day<\/em>), Nos fun\u00e9railles <\/em>d\u2019Abel Ferrara, Tetro<\/em> de Francis Ford Coppola, Essential Killing<\/em> de Jerzy Skolimovski pour ne citer que les plus prestigieux. Son premier film, Buffalo \u201966<\/em> avec Christina Ricci, Angelica Huston, Ben Gazzara et lui-m\u00eame est une grande r\u00e9ussite du cin\u00e9ma am\u00e9ricain ind\u00e9pendant. Il choisit de radicaliser sa d\u00e9marche avec The Brown Bunny<\/em>, encore plus impressionnant.<\/p>\n

Pr\u00e9sent\u00e9 au Festival de Cannes en s\u00e9lection officielle en 2003, dans une version non d\u00e9finitive, The Brown Bunny<\/em> a d\u00e9clench\u00e9 un scandale aussi violent qu\u2019injuste. Certains reprochaient au film sa vacuit\u00e9 pr\u00e9tentieuse, le narcissisme de son auteur complet Vincent Gallo, cr\u00e9dit\u00e9 au g\u00e9n\u00e9rique du film \u00e0 tous les postes, de la production \u00e0 la photographie en passant par le montage, les d\u00e9cors et la conception de l\u2019affiche, autant de preuves d\u2019un r\u00e9el perfectionnisme et d\u2019une volont\u00e9 de contr\u00f4le qui t\u00e9moignent davantage de l\u2019int\u00e9grit\u00e9 absolue de Gallo plut\u00f4t que d\u2019une pr\u00e9tendue m\u00e9galomanie. D\u2019autres \u00e9taient choqu\u00e9s par une sc\u00e8ne annonc\u00e9e par la rumeur et attendue jusqu\u2019\u00e0 la fin du film, une fellation non simul\u00e9e pratiqu\u00e9e par Chlo\u00eb Sevigny sur la personne de Vincent Gallo en tr\u00e8s grande forme. La d\u00e9b\u00e2cle cannoise incita Gallo \u00e0 proc\u00e9der \u00e0 un nouveau montage de son film et c\u2019est uniquement celui-ci qui est visible d\u00e9sormais. Heureusement, il y eut des spectateurs pour passer outre l\u2019aveuglement des cuistres. Disons-le tout net, The Brown Bunny<\/em> est un pur chef-d\u2019\u0153uvre, l\u2019h\u00e9ritier le plus brillant du cin\u00e9ma moderne am\u00e9ricain et europ\u00e9en des ann\u00e9es 70 mais aussi un objet tr\u00e8s contemporain qui tranche avec le tout venant du cin\u00e9ma d\u2019auteur d\u2019aujourd\u2019hui, arty ou pas. Malgr\u00e9 les apparences, The Brown Bunny <\/em>n\u2019est pas un film exp\u00e9rimental ou une installation visuelle destin\u00e9e \u00e0 orner les murs d\u2019un mus\u00e9e plut\u00f4t qu\u2019un \u00e9cran de cin\u00e9ma ou de t\u00e9l\u00e9vision. Silencieux, aust\u00e8re, The Brown Bunny<\/em> trace la m\u00eame route que quelques grands \u00ab\u00a0road movies\u00a0\u00bb existentiels am\u00e9ricains avant lui\u00a0: Electra Glide in Blue<\/em>, Point limite z\u00e9ro<\/em>. Dans sa qu\u00eate solitaire et absurde, le personnage interpr\u00e9t\u00e9 par Vincent Gallo est-il un h\u00e9ritier de Sam Peckinpah, de Chantal Akerman, ou d\u2019un peu des deux\u00a0?<\/p>\n

\"Vincent<\/a>

Vincent Gallo dans The Brown Bunny (2003)<\/p><\/div>\n

Magnifique voyage \u00e0 travers les paysages d\u00e9sertiques am\u00e9ricains, The Brown Bunny<\/em> est avant tout un grand film d\u2019amour fou, et il faut attendre les derni\u00e8res sc\u00e8nes pour le d\u00e9couvrir. Aucune pose, aucun cynisme dans un film aussi esth\u00e9tiquement compos\u00e9 que sinc\u00e8re, \u00e9mouvant et profond\u00e9ment honn\u00eate. Quant \u00e0 la sc\u00e8ne qui fit tant parler d\u2019elle, elle est effectivement g\u00e9niale et inoubliable, tant par sa mise en sc\u00e8ne que par la charge \u00e9motionnelle qui l\u2019entoure. The Brown Bunny <\/em>a peut-\u00eatre irrit\u00e9, agac\u00e9, choqu\u00e9, mais il restera le film le plus original, \u00e0 la fois physique et abstrait, incarn\u00e9 et hant\u00e9 du cin\u00e9ma am\u00e9ricain des ann\u00e9es 2000. En 2010 Vincent Gallo a r\u00e9alis\u00e9 un troisi\u00e8me long m\u00e9trage, le tr\u00e8s beau Promises Written on Water<\/em>, nouveau po\u00e8me au romantisme noir, entre Edgar Poe et Andy Warhol, que le cin\u00e9aste a montr\u00e9 avec parcimonie, pr\u00e9f\u00e9rant le secret et le silence \u00e0 l\u2019exhibition critique et m\u00e9diatique qu\u2019il refuse d\u00e9sormais avec une intransigeance courageuse et admirable.<\/p>\n","protected":false},"excerpt":{"rendered":"

Vincent Gallo est un cas \u00e0 part\u00a0: cet homme aux multiples talents comme il aime se d\u00e9finir lui-m\u00eame est n\u00e9\u2026<\/p>\n","protected":false},"author":116,"featured_media":5531,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nThe Brown Bunny de Vincent Gallo - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/03\/03\/the-brown-bunny-de-vincent-gallo\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Brown Bunny de Vincent Gallo - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Vincent Gallo est un cas \u00e0 part\u00a0: cet homme aux multiples talents comme il aime se d\u00e9finir lui-m\u00eame est n\u00e9\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/03\/03\/the-brown-bunny-de-vincent-gallo\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2012-03-03T08:00:34+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-09-05T14:25:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2012\/03\/brown-bunny-2003-09-g.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"704\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/03\/03\/the-brown-bunny-de-vincent-gallo\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/03\/03\/the-brown-bunny-de-vincent-gallo\/\",\"name\":\"The Brown Bunny de Vincent Gallo - 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