{"id":5109,"date":"2012-01-15T09:00:25","date_gmt":"2012-01-15T08:00:25","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=5109"},"modified":"2017-06-03T08:54:18","modified_gmt":"2017-06-03T07:54:18","slug":"bungalow-pour-femmes-de-raoul-walsh","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/01\/15\/bungalow-pour-femmes-de-raoul-walsh\/","title":{"rendered":"Bungalow pour femmes de Raoul Walsh"},"content":{"rendered":"
\"Jane<\/a>

Jane Russell dans Bungalow pour femmes (1956)<\/p><\/div>\n

Raoul Walsh, auteur de tr\u00e8s grands films d\u00e8s le muet (Le Voleur de Bagdad), d\u00e8s le d\u00e9but du parlant (La Piste des g\u00e9ants), sans compter les nombreux chefs-d\u2019oeuvre des ann\u00e9es 40, est \u00e0 l\u2019apog\u00e9e de son art dans les ann\u00e9es 50. Walsh, c\u2019est l\u2019\u00e9vidence du g\u00e9nie et le g\u00e9nie de l\u2019\u00e9vidence. Les Implacables<\/em> (1955) sont la parfaite illustration d\u2019un cin\u00e9ma classique qui s\u2019achemine avec s\u00e9r\u00e9nit\u00e9 vers la vieillesse, comme Clark Gable aspirant au bonheur apr\u00e8s une vie d\u2019aventures. Le cin\u00e9aste s\u2019y montre aussi \u00e0 l\u2019aise dans la mise en sc\u00e8ne d\u2019une nature immense sauvage en Cin\u00e9mascope que dans la description subtile et chaleureuse de personnages h\u00e9ro\u00efques \u00ab\u00a0plus grands que nature\u00a0\u00bb (le titre original, plus juste, est The Tall Men<\/em>), ou de femmes \u00e0 l\u2019\u00e9rotisme agressif (Jane Russell\u00a0!). Bungalow pour femmes<\/em> (The Revolt of Mamie Stover<\/em>, 1956), est l\u2019un des chefs-d\u2019\u0153uvre secrets de Walsh, essentiellement admir\u00e9 par les cin\u00e9philes, qui t\u00e9moigne de la modernit\u00e9 et de la vitalit\u00e9, mais aussi de la violence, d\u2019un artiste qu\u2019on ne saurait r\u00e9duire \u00e0 un simple aventurier du cin\u00e9ma sp\u00e9cialiste du western ou du film viril. Bungalow pour femmes<\/em> est un \u00e9tonnant conte moral sur le capitalisme sauvage, th\u00e8me d\u00e9j\u00e0 trait\u00e9 par Walsh dans La Rivi\u00e8re d\u2019argent<\/em>. Ce n\u2019est pas un film de guerre, malgr\u00e9 l\u2019\u00e9pisode de l\u2019attaque de Pearl Harbour, mais un m\u00e9lodrame tr\u00e8s impur et d\u2019une crudit\u00e9 exceptionnelle qui raconte moins une histoire d\u2019amour qu\u2019un r\u00e9cit de sexe et surtout d\u2019argent. La volcanique Jane Russell incarne Mamie Stover, entra\u00eeneuse (pour ne pas dire prostitu\u00e9e, pour des raisons de censure) obs\u00e9d\u00e9e par la r\u00e9ussite mat\u00e9rielle et la reconnaissance sociale, au point de faire fortune gr\u00e2ce \u00e0 la panique suivant le bombardement japonais et sacrifier sa romance avec un \u00e9crivain parti au front. Le film aborde les effets pervers et les limites de l\u2019individualisme et du carri\u00e9risme encourag\u00e9s par le syst\u00e8me am\u00e9ricain. Mamie est une h\u00e9ro\u00efne f\u00e9minine presque n\u00e9gative, n\u00e9vros\u00e9e. Le film est plastiquement superbe, film\u00e9 en Cin\u00e9mascope avec une utilisation inspir\u00e9e de la couleur et de l\u2019\u00e9cran large, comme d\u2019autres grands films de Walsh de la fin des ann\u00e9es 50 (L\u2019Esclave libre<\/em>, Les Nus et les Morts<\/em>). Malgr\u00e9 la noirceur du sujet, Bungalow pour femmes<\/em> est aussi un film d\u00e9bordant d\u2019humour et d\u2019\u00e9nergie, \u00e0 l\u2019image d\u2019un cin\u00e9aste qui battit sa r\u00e9putation sur son amour de l\u2019action sans jamais n\u00e9gliger la psychologie des personnages.<\/p>\n","protected":false},"excerpt":{"rendered":"

Raoul Walsh, auteur de tr\u00e8s grands films d\u00e8s le muet (Le Voleur de Bagdad), d\u00e8s le d\u00e9but du parlant (La\u2026<\/p>\n","protected":false},"author":116,"featured_media":5112,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nBungalow pour femmes de Raoul Walsh - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/01\/15\/bungalow-pour-femmes-de-raoul-walsh\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bungalow pour femmes de Raoul Walsh - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Raoul Walsh, auteur de tr\u00e8s grands films d\u00e8s le muet (Le Voleur de Bagdad), d\u00e8s le d\u00e9but du parlant (La\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/01\/15\/bungalow-pour-femmes-de-raoul-walsh\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2012-01-15T08:00:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-06-03T07:54:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2012\/01\/jane-russell-dans-bungalow-pour-femmes.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1642\" \/>\n\t<meta property=\"og:image:height\" content=\"2100\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/01\/15\/bungalow-pour-femmes-de-raoul-walsh\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2012\/01\/15\/bungalow-pour-femmes-de-raoul-walsh\/\",\"name\":\"Bungalow pour femmes de Raoul Walsh - 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