{"id":4785,"date":"2011-12-17T08:00:42","date_gmt":"2011-12-17T07:00:42","guid":{"rendered":"http:\/\/olivierpere.wordpress.com\/?p=4785"},"modified":"2015-07-13T21:16:41","modified_gmt":"2015-07-13T20:16:41","slug":"la-charge-heroique-de-john-ford","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2011\/12\/17\/la-charge-heroique-de-john-ford\/","title":{"rendered":"La Charge h\u00e9ro\u00efque de John Ford"},"content":{"rendered":"

Second volet de la trilogie de la Cavalerie de John Ford (entre Le Massacre de Fort Apache<\/em> en 1948 et Rio Grande <\/em>en 1950), La Charge h\u00e9ro\u00efque<\/em> (1949) se distingue d’abord par le contresens de son titre fran\u00e7ais. Loin de tout triomphalisme, She Wore a Yellow Ribbon<\/em> (allusion au ruban jaune que porte la jeune femme fianc\u00e9e \u00e0 un soldat) est la chronique d’un \u00e9chec et une m\u00e9ditation sur la vieillesse et le temps qui s’\u00e9coule, inexorablement. Un an \u00e0 peine apr\u00e8s son interpr\u00e9tation du fringant capitaine de Fort Apache, on retrouve ici John Wayne grim\u00e9 en officier \u00e0 quelques jours de la retraite.
\n<\/span><\/p>\n

\"John<\/a>

John Wayne dans La Charge h\u00e9ro\u00efque<\/em> (1949)<\/p><\/div>\n

La fin de sa carri\u00e8re est g\u00e2ch\u00e9e par le massacre d’une patrouille par les Indiens. Il va alors retarder son d\u00e9part et tenter d’effacer la blessure de ce ratage par l’op\u00e9ration de la derni\u00e8re chance. Le sc\u00e9nario propose ainsi un r\u00e9cit au rythme particuli\u00e8rement original, puisque la nonchalance habituelle des films de Ford, ajout\u00e9e \u00e0 la fatigue de son personnage principal, est contrari\u00e9e par le compte \u00e0 rebours final qui offre de surprenantes acc\u00e9l\u00e9rations. De tous les westerns de Ford, La Charge h\u00e9ro\u00efque<\/em> est le plus cr\u00e9pusculaire, le plus m\u00e9lancolique, le plus \u00e9mouvant. C’est aussi le plus contemplatif, et Ford s’attarde davantage \u00e0 filmer les paysages de Monument Valley et le visage de son acteur de pr\u00e9dilection, que les sc\u00e8nes d’action. C\u00e9l\u00e8bre pour la splendeur de son Technicolor, La Charge h\u00e9ro\u00efque<\/em> est enfin un film d’une grande beaut\u00e9 picturale, auquel Ford semble avoir accord\u00e9 une attention esth\u00e9tique particuli\u00e8re, et qui tranche avec le r\u00e9alisme de ses westerns en noir et blanc. De nombreux moments sont de v\u00e9ritables po\u00e8mes symboliques, proches de l’\u00e9l\u00e9gie. Notamment lorsque John Wayne, qui \u00e0 la nuit tomb\u00e9e a l’habitude de converser dans un petit cimeti\u00e8re avec son \u00e9pouse d\u00e9c\u00e9d\u00e9e, voit une ombre f\u00e9minine se d\u00e9tacher sur la st\u00e8le, et croit un instant que son grand amour est revenu d’entre les morts. Le jour et la nuit, la vie et la mort, le pass\u00e9 et le pr\u00e9sent cohabitent le temps d’une sc\u00e8ne sublime.<\/span><\/p>\n

Page\u00a0 1<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Second volet de la trilogie de la Cavalerie de John Ford (entre Le Massacre de Fort Apache en 1948 et\u2026<\/p>\n","protected":false},"author":116,"featured_media":4790,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nLa Charge h\u00e9ro\u00efque de John Ford - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2011\/12\/17\/la-charge-heroique-de-john-ford\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Charge h\u00e9ro\u00efque de John Ford - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Second volet de la trilogie de la Cavalerie de John Ford (entre Le Massacre de Fort Apache en 1948 et\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2011\/12\/17\/la-charge-heroique-de-john-ford\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2011-12-17T07:00:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-07-13T20:16:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/2011\/12\/la-charge-hecc81roicc88que.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"768\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2011\/12\/17\/la-charge-heroique-de-john-ford\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2011\/12\/17\/la-charge-heroique-de-john-ford\/\",\"name\":\"La Charge h\u00e9ro\u00efque de John Ford - 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