{"id":27640,"date":"2024-01-01T13:39:16","date_gmt":"2024-01-01T12:39:16","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=27640"},"modified":"2025-12-13T05:32:52","modified_gmt":"2025-12-13T04:32:52","slug":"les-meilleurs-films-de-lannee-2023","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2024\/01\/01\/les-meilleurs-films-de-lannee-2023\/","title":{"rendered":"Les meilleurs films de l\u2019ann\u00e9e 2023"},"content":{"rendered":"

C\u2019est une mini-s\u00e9rie qui s\u2019impose \u00e0 notre avis comme le meilleur film de l\u2019ann\u00e9e 2023 \u2013 ann\u00e9e de sa diffusion sur ARTE mais il avait \u00e9t\u00e9 pr\u00e9sent\u00e9 au Festival de Cannes l\u2019ann\u00e9e pr\u00e9c\u00e9dente. Sans aucune provocation ou intention pol\u00e9mique, il s\u2019agit autant selon nous d\u2019une mini-s\u00e9rie que d’un maxi-film, r\u00e9alis\u00e9 par l\u2019un des derniers grands auteurs europ\u00e9ens en activit\u00e9. Esterno notte<\/em> fut d\u2019ailleurs distribu\u00e9 en salle dans son pays d\u2019origine, l\u2019Italie, conjointement \u00e0 sa diffusion \u00e9v\u00e8nementielle sur la RAI. Marco Bellocchio, 84 ans, n\u2019a pas ch\u00f4m\u00e9 puisqu\u2019on a pu \u00e9galement appr\u00e9cier en 2023 son nouveau long m\u00e9trage L\u2019Enl\u00e8vement <\/em>et surtout le magnifique documentaire Marx peut attendre<\/em> qui vient rappeler l\u2019intrication intime entre son \u0153uvre, sa vie priv\u00e9e et l\u2019histoire de l\u2019Italie de la seconde moiti\u00e9 du XX\u00e8me si\u00e8cle.<\/strong><\/p>\n

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Esterno notte <\/em><\/strong>de Marco Bellocchio (s\u00e9rie)<\/strong><\/p>\n

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Sans ordre, et sans pr\u00e9tention d\u2019exhaustivit\u00e9\u00a0:<\/strong><\/p>\n

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L\u2019Enl\u00e8vement<\/em><\/strong> de Marco Bellocchio<\/strong><\/p>\n

Marx peut attendre<\/em><\/strong> de Marco Bellocchio<\/strong><\/p>\n

De Humani Corporis Fabrica<\/em> de Lucien Castaing-Taylor et Verena Paravel<\/strong><\/p>\n

La Chim\u00e8re<\/em><\/strong> de Alice Rorhwacher<\/strong><\/p>\n

Copenhagen Cowboy<\/em><\/strong> de Nicolas Winding Refn (s\u00e9rie)<\/strong><\/p>\n

Babylon <\/em><\/strong>de Damien Chazelle<\/strong><\/p>\n

Anatomie d\u2019une chute<\/em><\/strong> de Justine Triet<\/strong><\/p>\n

Les Herbes s\u00e8ches<\/em><\/strong> de Nuri Bilge Ceylan<\/strong><\/p>\n

Le Ravissement<\/em><\/strong> de Iris Kaltenb\u00e4ck<\/strong><\/p>\n

Les Feuilles mortes<\/em><\/strong> de Aki Kaurism\u00e4ki<\/strong><\/p>\n

Derni\u00e8re Nuit \u00e0 Milan<\/em> de Andrea Di Stefano<\/strong><\/p>\n

Le Grand Chariot<\/em><\/strong> de Philippe Garrel<\/strong><\/p>\n

Killers of the Flower Moon<\/em><\/strong> de Martin Scorsese<\/strong><\/p>\n

Quand les vagues se retirent<\/em><\/strong> de Lav Diaz<\/strong><\/p>\n

Lost Country<\/em><\/strong> de Vladimir <\/strong>Peri\u0161i\u0107<\/strong><\/p>\n

Retour \u00e0 S\u00e9oul<\/em><\/strong> de Davy Chou<\/strong><\/p>\n

Portraits fant\u00f4mes<\/em><\/strong> de Kleber Mendon\u00e7a Filho<\/strong><\/p>\n

L\u2019Et\u00e9 dernier<\/em><\/strong> de Catherine Breillat<\/strong><\/p>\n

Mars Express<\/em><\/strong> de J\u00e9r\u00e9mie P\u00e9rin<\/strong><\/p>\n

Le Gar\u00e7on et le H\u00e9ron<\/em><\/strong> de Hayao Miyazaki<\/strong><\/p>\n

Godzilla Minus One<\/em><\/strong> de Takashi Yamazaki<\/strong><\/p>\n

Suzume <\/em><\/strong>de Makoto Shinkai<\/strong><\/p>\n

Pearl<\/em><\/strong> de Ti West<\/strong><\/p>\n

Paradis<\/em><\/strong> de Alexander Abaturov<\/strong><\/p>\n

L\u2019Arbre aux papillons d\u2019or<\/em><\/strong> de Thien An Pham<\/strong><\/p>\n

Dalva <\/em><\/strong>de Emmanuelle Nicot<\/strong><\/p>\n

Alma viva<\/em><\/strong> de <\/strong>Crist\u00e8le Alves Meira<\/strong><\/p>\n

El agua<\/em><\/strong> de <\/strong>Elena Lopez Riera<\/strong><\/p>\n

Terrifier 2<\/em> de Damien Leone<\/strong><\/p>\n

Un prince<\/em> de Pierre Creton<\/strong><\/p>\n

Oppenheimer<\/em> de Christopher Nolan<\/strong><\/p>\n

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Pour r\u00e9pondre \u00e0 la demande de Comet, voici \u00e9galement une liste dans un d\u00e9sordre particuli\u00e8rement anarchique qui tente de recenser les principales d\u00e9couvertes et red\u00e9couvertes parmi les 600 films vus et revus en 2023 dans la cat\u00e9gorie \u00ab cin\u00e9ma de patrimoine \u00bb – nous nous sommes limit\u00e9s aux films ayant b\u00e9n\u00e9fici\u00e9 d\u2019une restauration 2K ou 4K, et r\u00e9\u00e9dit\u00e9s cette ann\u00e9e en salle et\/ou en Blu-ray. L\u2019occasion de saluer le travail extraordinaire des \u00e9diteurs de films en France : Spectrum, Carlotta, Tamasa, Le Chat qui fume, Elephant, Sidonis, Rimini, Wild Side, Potemkine, Artus, Capricci, The Ecstasy of Films, Les Films du Cam\u00e9lia, Studiocanal, Path\u00e9, Gaumont\u2026 pour ne citer que les principaux et pardon pour ceux que j\u2019oublie \u2013 l\u2019\u00e9dition vid\u00e9o est si foisonnante.<\/strong><\/p>\n

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L\u2019Enfer des armes<\/em><\/strong> de Tsui Hark <\/strong><\/p>\n

Maternit\u00e9 \u00e9ternelle<\/em><\/strong> de Kinuyo Tanaka <\/strong><\/p>\n

L\u2019Effrayant Docteur Hijikata<\/em><\/strong> de Teruo Ichii <\/strong><\/p>\n

Les Vierges de Satan<\/em><\/strong> de Terence Fisher <\/strong><\/p>\n

L\u2019Invasion des morts vivants<\/em><\/strong> de John Gilling <\/strong><\/p>\n

La Femme reptile<\/em><\/strong> de John Gilling <\/strong><\/p>\n

Frankenstein cr\u00e9a la femme<\/em><\/strong> de Terence Fisher <\/strong><\/p>\n

Daniel <\/em><\/strong>de Sidney Lumet <\/strong><\/p>\n

Dracula prince des t\u00e9n\u00e8bres<\/em><\/strong> de Terence Fisher <\/strong><\/p>\n

La mort remonte \u00e0 hier soir<\/em><\/strong> de Duccio Tessari <\/strong><\/p>\n

Cette sacr\u00e9e v\u00e9rit\u00e9<\/em><\/strong> de Leo McCarey <\/strong><\/p>\n

Los Angeles Plays Itself<\/em><\/strong> de Thom Andersen <\/strong><\/p>\n

Executionners<\/em><\/strong> de Johnnie To <\/strong><\/p>\n

Lifeforce<\/em><\/strong> de Tobe Hooper <\/strong><\/p>\n

House<\/em><\/strong> de Nobuhiko Obayashi <\/strong><\/p>\n

Gente di rispetto<\/em><\/strong> (Les Ma\u00eetres<\/em>) de Luigi Zampa <\/strong><\/p>\n

El Pico<\/em><\/strong> (Overdose<\/em>) de Eloy de la Iglesia <\/strong><\/p>\n

Gouverneur malgr\u00e9 lui<\/em><\/strong> de Leo McCarey <\/strong><\/p>\n

Le Cercle infernal<\/em><\/strong> de Richard Loncraine <\/strong><\/p>\n

Le Septi\u00e8me Continent<\/em><\/strong> de Michael Haneke <\/strong><\/p>\n

Je t\u2019aime, je t\u2019aime<\/em><\/strong> de Alain Resnais<\/strong><\/p>\n

Bandits \u00e0 Orgosolo<\/em><\/strong> de Vittorio De Seta <\/strong><\/p>\n

Antichrist <\/em><\/strong>de Lars von Trier <\/strong><\/p>\n

Melancholia<\/em><\/strong> de Lars von Trier <\/strong><\/p>\n

Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles<\/em><\/strong> de Chantal Akerman <\/strong><\/p>\n

Mon nom est personne<\/em><\/strong> de Tonino Valerii <\/strong><\/p>\n

Elle s\u2019appelait Scorpion<\/em><\/strong> de Shunya Ito <\/strong><\/p>\n

The Appointment<\/em><\/strong> de Lindsey C. Vickers <\/strong><\/p>\n

The Street Fighter<\/em><\/strong> de Shigehiro Ozawa <\/strong><\/p>\n

Return of the Street Fighter<\/em><\/strong> de Shigehiro Ozawa <\/strong><\/p>\n

La Femme Scorpion<\/em><\/strong> de Shunya Ito <\/strong><\/p>\n

Nous sommes tous en libert\u00e9 provisoire<\/em><\/strong> de Damiano Damiani <\/strong><\/p>\n

Goodbye et Amen<\/em><\/strong> de Damiano Damiani<\/strong><\/p>\n

Cr\u00e9puscule <\/em><\/strong>de Emilio Fernandez <\/strong><\/p>\n

Variety<\/em><\/strong> de Bette Gordon <\/strong><\/p>\n

La B\u00eate \u00e9l\u00e9gante<\/em><\/strong> de Yuzo Kawashima<\/strong><\/p>\n

Le Chemin de l\u2019esp\u00e9rance<\/em><\/strong> de Pietro Germi <\/strong><\/p>\n

Cinq Femmes \u00e0 abattre<\/em><\/strong> de Jonathan Demme<\/strong><\/p>\n

Un homme est mort<\/em><\/strong> de Jacques Deray <\/strong><\/p>\n

Rififi \u00e0 Tokyo<\/em><\/strong> de Jacques Deray<\/strong><\/p>\n

Storia di vita e malavita<\/em><\/strong> de Carlo Lizzani <\/strong><\/p>\n

San Babila ore 20 : un delitto inutile<\/em><\/strong> de Carlo Lizzani <\/strong><\/p>\n

Les Cruels<\/em><\/strong> de Sergio Corbucci <\/strong><\/p>\n

El mercenario<\/em><\/strong> de Sergio Corbucci<\/strong><\/p>\n

Sauve qui peut (la vie)<\/em><\/strong> de Jean-Luc Godard <\/strong><\/p>\n

La Cl\u00e9<\/em><\/strong> de Tinto Brass <\/strong><\/p>\n

Big Guns<\/em><\/strong> de Duccio Tessari <\/strong><\/p>\n

Lemmings<\/em><\/strong> de Michael Haneke (s\u00e9rie)<\/strong><\/p>\n

Tourments <\/em><\/strong>de Luis Bunuel<\/strong><\/p>\n

Matador <\/em><\/strong>de Pedro Almodovar<\/strong><\/p>\n

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C\u2019est une mini-s\u00e9rie qui s\u2019impose \u00e0 notre avis comme le meilleur film de l\u2019ann\u00e9e 2023 \u2013 ann\u00e9e de sa diffusion\u2026<\/p>\n","protected":false},"author":116,"featured_media":27641,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nLes meilleurs films de l\u2019ann\u00e9e 2023 - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2024\/01\/01\/les-meilleurs-films-de-lannee-2023\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les meilleurs films de l\u2019ann\u00e9e 2023 - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"C\u2019est une mini-s\u00e9rie qui s\u2019impose \u00e0 notre avis comme le meilleur film de l\u2019ann\u00e9e 2023 \u2013 ann\u00e9e de sa diffusion\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2024\/01\/01\/les-meilleurs-films-de-lannee-2023\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2024-01-01T12:39:16+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-13T04:32:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/1200x680_sc_esterno-notte-fabrizio-gifuni-aldo-moro-photo-by-anna-camerlingo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"680\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2024\/01\/01\/les-meilleurs-films-de-lannee-2023\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2024\/01\/01\/les-meilleurs-films-de-lannee-2023\/\",\"name\":\"Les meilleurs films de l\u2019ann\u00e9e 2023 - 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