{"id":27057,"date":"2022-05-21T09:18:13","date_gmt":"2022-05-21T08:18:13","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=27057"},"modified":"2022-05-26T20:15:25","modified_gmt":"2022-05-26T19:15:25","slug":"cannes-2022-jour-4-conversation-avec-kirill-serebrennikov-autour-de-son-film-la-femme-de-tchaikovski-competition","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2022\/05\/21\/cannes-2022-jour-4-conversation-avec-kirill-serebrennikov-autour-de-son-film-la-femme-de-tchaikovski-competition\/","title":{"rendered":"Cannes 2022 Jour 4 : conversation avec Kirill Serebrennikov autour de son film La Femme de Tcha\u00efkovski (Comp\u00e9tition)"},"content":{"rendered":"<p><iframe loading=\"lazy\" style=\"margin: 0 auto;background-color: #000000\" src=\"https:\/\/www.arte.tv\/embeds\/fr\/108672-010-A?autoplay=false\" width=\"720\" height=\"406\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><strong>Conversation avec Kirill Serebrennikov au sujet de son nouveau film <em>La Femme de Tcha\u00efkovski<\/em>, en comp\u00e9tition au Festival de Cannes.<\/strong><\/p>\n<div id=\"attachment_27134\" style=\"width: 1290px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-27134\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-27134\" src=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/kirill-serebrennikov.jpg\" alt=\"\" width=\"1280\" height=\"1920\" srcset=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/kirill-serebrennikov.jpg 1280w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/kirill-serebrennikov-187x280.jpg 187w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/kirill-serebrennikov-512x768.jpg 512w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/kirill-serebrennikov-768x1152.jpg 768w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/kirill-serebrennikov-1024x1536.jpg 1024w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/kirill-serebrennikov-580x870.jpg 580w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><p id=\"caption-attachment-27134\" class=\"wp-caption-text\">Kirill Serebrennikov \u00a9 Bertrand No\u00ebl<\/p><\/div>\n<div id=\"attachment_27063\" style=\"width: 1125px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-27063\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-27063\" src=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/alyona-mikhailova.jpg\" alt=\"\" width=\"1115\" height=\"1400\" srcset=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/alyona-mikhailova.jpg 1115w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/alyona-mikhailova-223x280.jpg 223w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/alyona-mikhailova-612x768.jpg 612w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/alyona-mikhailova-768x964.jpg 768w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/alyona-mikhailova-580x728.jpg 580w\" sizes=\"(max-width: 1115px) 100vw, 1115px\" \/><p id=\"caption-attachment-27063\" class=\"wp-caption-text\">Alyona Mikhailova \u00a9 Bertrand No\u00ebl<\/p><\/div>\n<div id=\"attachment_27064\" style=\"width: 1290px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-27064\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-27064\" src=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/odin-lund-biron-et-alyona-mikhailova.jpg\" alt=\"\" width=\"1280\" height=\"1920\" srcset=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/odin-lund-biron-et-alyona-mikhailova.jpg 1280w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/odin-lund-biron-et-alyona-mikhailova-187x280.jpg 187w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/odin-lund-biron-et-alyona-mikhailova-512x768.jpg 512w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/odin-lund-biron-et-alyona-mikhailova-768x1152.jpg 768w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/odin-lund-biron-et-alyona-mikhailova-1024x1536.jpg 1024w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/odin-lund-biron-et-alyona-mikhailova-580x870.jpg 580w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><p id=\"caption-attachment-27064\" class=\"wp-caption-text\">Odin Lund Biron et Alyona Mikhailova \u00a9 Bertrand No\u00ebl<\/p><\/div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-27060\" src=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/la-femme-de-tchaikovski-de-kirill-serebrennikov-la-critique.jpg\" alt=\"\" width=\"1000\" height=\"666\" srcset=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/la-femme-de-tchaikovski-de-kirill-serebrennikov-la-critique.jpg 1000w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/la-femme-de-tchaikovski-de-kirill-serebrennikov-la-critique-420x280.jpg 420w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/la-femme-de-tchaikovski-de-kirill-serebrennikov-la-critique-768x511.jpg 768w, https:\/\/www.arte.tv\/sites\/olivierpere\/files\/la-femme-de-tchaikovski-de-kirill-serebrennikov-la-critique-580x386.jpg 580w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conversation avec Kirill Serebrennikov au sujet de son nouveau film La Femme de Tcha\u00efkovski, en comp\u00e9tition au Festival de Cannes.<\/p>\n","protected":false},"author":116,"featured_media":27058,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,6,7],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cannes 2022 Jour 4 : conversation avec 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