{"id":26547,"date":"2021-07-08T08:47:16","date_gmt":"2021-07-08T07:47:16","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=26547"},"modified":"2021-07-10T09:40:09","modified_gmt":"2021-07-10T08:40:09","slug":"onoda-10-000-nuits-dans-la-jungle-de-arthur-harari-un-certain-regard-film-douverture","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2021\/07\/08\/onoda-10-000-nuits-dans-la-jungle-de-arthur-harari-un-certain-regard-film-douverture\/","title":{"rendered":"Cannes 2021 Jour 2 : Onoda \u2013 10\u00a0000 nuits dans la jungle de Arthur Harari (Un Certain Regard, film d\u2019ouverture)"},"content":{"rendered":"

Onoda \u2013 10\u00a0000 nuits dans la jungle<\/em> raconte une histoire suffisamment folle pour \u00eatre vraie. Sa v\u00e9racit\u00e9 ne l\u2019a pas emp\u00eacher d\u2019acc\u00e9der au Japon au statut de l\u00e9gende, mais une l\u00e9gende charg\u00e9e de mauvaise conscience au point de devenir taboue. L\u2019histoire d\u2019Onoda vient rappeler le fanatisme qui conduisit certains militaires japonais \u00e0 prendre des d\u00e9cisions extr\u00eames qui \u00e9chappent \u00e0 la raison. Se transformer en kamikaze ou choisir de continuer le combat bien apr\u00e8s la d\u00e9faite. En 1944, le jeune soldat japonais Hiroo Onoda est envoy\u00e9 sur une petite \u00eele philippine o\u00f9 vont d\u00e9barquer les Am\u00e9ricains. Sa mission est de mener la gu\u00e9rilla jusqu\u2019au retour des troupes nippones. Refusant la r\u00e9alit\u00e9 de la capitulation du Japon, Onoda ne rendra les armes que 10 000 jours plus tard. \u00ab\u00a0Film d\u2019action sans action, film de guerre sans guerre\u00a0\u00bb dixit son r\u00e9alisateur, Onoda <\/em>aurait pu donner naissance \u00e0 un trip immobile et hallucin\u00e9, ou \u00e0 une \u00e9pop\u00e9e de l\u2019inutile entre les mains d\u2019un Werner Herzog. Il n\u2019en est rien. Si le film n\u2019est pas exempt d\u2019une dimension psychanalytique (il s\u2019agit pour Onoda de s\u2019extraire de l\u2019emprise d\u2019un p\u00e8re autoritaire pour ob\u00e9ir aveuglement \u00e0 une nouvelle figure paternelle, son chef instructeur), il se caract\u00e9rise par son approche concr\u00e8te et r\u00e9aliste, son refus de l\u2019esbroufe. La conception t\u00e9m\u00e9raire de ce film hors-normes, profond\u00e9ment atypique en termes de production, ne cherche pas \u00e0 faire d\u00e9border le r\u00e9sultat du c\u00f4t\u00e9 du grand spectacle accident\u00e9 et m\u00e9galomane type Apocalypse Now<\/em>. La mise en sc\u00e8ne de Harari se caract\u00e9rise au contraire par son classicisme et sa lin\u00e9arit\u00e9, capable cependant d\u2019accueillir de br\u00e8ves images mentales lorsque les souvenirs d\u2019Onoda envahissent brusquement l\u2019\u00e9cran. Harari nous invite \u00e0 partager l\u2019exp\u00e9rience physique du temps et de la jungle de son antih\u00e9ros, confront\u00e9 \u00e0 la mort et \u00e0 la solitude. Le style du film \u00e9voque les grands mod\u00e8les japonais (Mizoguchi) mais aussi am\u00e9ricains, de Walsh \u00e0 Eastwood. Entre voyage int\u00e9rieur et r\u00e9cit de survie se d\u00e9roulant sur une trentaine d\u2019ann\u00e9es, Arthur Harari (dont le premier film Diamant Noir <\/em>\u00e9tait d\u00e9j\u00e0 particuli\u00e8rement ambitieux et r\u00e9ussi) livre une m\u00e9ditation universelle sur ce qui constitue une culture, une patrie, les vertiges de l\u2019int\u00e9grisme et de la qu\u00eate de puret\u00e9. \u00ab Onoda est une image extr\u00eame de la capacit\u00e9 qu\u2019ont les hommes de se raconter des histoires, g\u00e9opolitiques, id\u00e9ologiques ou religieuses pour justifier l\u2019injustifiable \u2013 une sp\u00e9cialit\u00e9 moderne dont nous h\u00e9ritons, o\u00f9 que nous vivions. \u00bb (A. Harari) Il existe dans cette destin\u00e9e individuelle ancr\u00e9e dans le XX\u00e8me si\u00e8cle suffisamment de cl\u00e9s pour y interpr\u00e9ter des crises et des errances bien contemporaines, inh\u00e9rentes \u00e0 l\u2019\u00eatre humain et \u00e0 chaque forme de civilisation. D\u2019une richesse et d’une beaut\u00e9 inou\u00efes, Onoda \u2013 10\u00a0000 nuits dans la jungle <\/em>vient nous rappeler que le cin\u00e9ma est une machine \u00e0 r\u00eaver mais aussi \u00e0 penser le monde.<\/strong><\/p>\n

Sortie le 21 juillet, distribu\u00e9 par Le Pacte.<\/strong><\/p>\n

 <\/p>\n

\"Arthur

Arthur Harari \u00a9 Bertrand No\u00ebl<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Onoda \u2013 10\u00a0000 nuits dans la jungle raconte une histoire suffisamment folle pour \u00eatre vraie. Sa v\u00e9racit\u00e9 ne l\u2019a pas\u2026<\/p>\n","protected":false},"author":116,"featured_media":26548,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,6],"tags":[],"yoast_head":"\nCannes 2021 Jour 2 : Onoda \u2013 10\u00a0000 nuits dans la jungle de Arthur Harari (Un Certain Regard, film d\u2019ouverture) - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2021\/07\/08\/onoda-10-000-nuits-dans-la-jungle-de-arthur-harari-un-certain-regard-film-douverture\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cannes 2021 Jour 2 : Onoda \u2013 10\u00a0000 nuits dans la jungle de Arthur Harari (Un Certain Regard, film d\u2019ouverture) - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Onoda \u2013 10\u00a0000 nuits dans la jungle raconte une histoire suffisamment folle pour \u00eatre vraie. 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