{"id":23529,"date":"2019-05-18T07:24:27","date_gmt":"2019-05-18T06:24:27","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=23529"},"modified":"2020-04-06T12:45:09","modified_gmt":"2020-04-06T11:45:09","slug":"cannes-2019-jour-4-little-joe-de-jessica-hausner-competition","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/05\/18\/cannes-2019-jour-4-little-joe-de-jessica-hausner-competition\/","title":{"rendered":"Cannes 2019 Jour 4 : Little Joe de Jessica Hausner (Comp\u00e9tition)\u00a0"},"content":{"rendered":"

Certains films ne meurent jamais. Au-del\u00e0 de leur existence propre, ils continuent de vivre dans d\u2019autres fictions, parfois en contrebande, \u00e0 l\u2019insu de leurs auteurs. Ainsi Les Chasses du comte Zaroff<\/em> s\u2019invitent dans le Sert\u00e3o br\u00e9silien de Bacurau, <\/em>tandis que le Vaudou<\/em> de Jacques Tourneur irrigue la r\u00eaverie de Bertrand Bonello dans Zombi Child<\/em>. Little Joe<\/em> nous conte une histoire fort originale pourtant le spectateur cin\u00e9phile ne pourra s\u2019emp\u00eacher d\u2019y voir une nouvelle adaptation pirate du roman de Jack Finney L\u2019Invasion des profanateurs de s\u00e9pultures<\/em> maintes fois port\u00e9 \u00e0 l\u2019\u00e9cran depuis le film de Don Siegel (1956), titre s\u00e9minal de la science-fiction parano\u00efaque. On pense aussi \u00e0 La Petite Boutique des horreurs<\/em> avec sa plante carnivore et bavarde devant Little Joe<\/em>, bien que le film de Jessica Hausner emprunte d\u2019autres voies que la s\u00e9rie B parodique. L\u2019inqui\u00e9tante transformation de l\u2019entourage de l\u2019h\u00e9ro\u00efne de Little Joe<\/em> ne provient pas d\u2019une insidieuse invasion extraterrestre mais de ses exp\u00e9riences de laboratoire. Phytog\u00e9n\u00e9ticienne chevronn\u00e9e, elle a invent\u00e9 une nouvelle esp\u00e8ce de fleur, dot\u00e9e de qualit\u00e9s th\u00e9rapeutiques. Conserv\u00e9e dans certaines conditions, la plante est capable de rendre son propri\u00e9taire heureux. Mais la jeune femme, m\u00e8re c\u00e9libataire, va bient\u00f4t prendre conscience des dangers de sa cr\u00e9ation, qui transforme ceux qui l\u2019approche en pantins d\u00e9shumanis\u00e9s, sous l\u2019emprise du v\u00e9g\u00e9tal toxique. Jessica Hausner est une cin\u00e9aste autrichienne dont le travail s\u2019inscrit dans une certaine \u00e9cole de la cruaut\u00e9 mentale et de l\u2019observation clinique, dont les grands manitous viennois sont Michael Haneke et Ulrich Seidl. Little Joe<\/em> est son premier film en langue anglaise, et elle exporte \u00e0 Londres le cadre glacial, aseptis\u00e9 et \u00e9touffant de ses fictions comportementales. Mais le trait n\u2019est jamais grossier chez Hausner, qui refuse la complaisance sadique et se contente de d\u00e9crire, par le biais de ses fables antinaturalistes, le conflit entre les \u00e9lans du c\u0153ur, la compassion et la froideur des carcans sociaux. Les gens vont mal, souffrent de solitude, n\u2019arrivent pas \u00e0 recoller les morceaux de vies g\u00e2ch\u00e9es, mais la solution euphorisante apport\u00e9e par la plante miracle tourne \u00e0 la catastrophe totalitaire. Aux malheurs et aux angoisses intimes se substitue une dictature du bonheur collectif. Hausner convoque les fant\u00f4mes de l\u2019hygi\u00e9nisme et des d\u00e9lires g\u00e9n\u00e9tiques nazis. Les enfants monstrueux qui deviennent une menace pour leurs g\u00e9niteurs, l\u2019\u00e9limination de toute forme de r\u00e9sistance individuelle, le refus de l\u2019alt\u00e9rit\u00e9, le culte de l\u2019\u00e9go\u00efsme et de la bonne humeur rappellent autant les pages les plus sombres de l\u2019Histoire que la projection \u00e0 peine futuriste des pires travers de notre \u00e9poque. Le constat ultra pessimiste de la r\u00e9alisatrice se double d\u2019une ironie douce-am\u00e8re. La rigueur formelle et la maniaquerie du style visuel de Hausner sont att\u00e9nu\u00e9es par de nombreuses touches d\u2019humour noir et l\u2019\u00e9l\u00e9gante retenue des acteurs britanniques, parfaits de d\u00e9tachement dans les situations les plus vicieuses et flippantes, dont le film ne manque pas.<\/strong><\/p>\n

\"Jessica

Jessica Hausner \u00a9 Bertrand No\u00ebl<\/strong><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Certains films ne meurent jamais. Au-del\u00e0 de leur existence propre, ils continuent de vivre dans d\u2019autres fictions, parfois en contrebande,\u2026<\/p>\n","protected":false},"author":116,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,6],"tags":[],"yoast_head":"\nCannes 2019 Jour 4 : Little Joe de Jessica Hausner (Comp\u00e9tition)\u00a0 - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/05\/18\/cannes-2019-jour-4-little-joe-de-jessica-hausner-competition\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cannes 2019 Jour 4 : Little Joe de Jessica Hausner (Comp\u00e9tition)\u00a0 - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Certains films ne meurent jamais. 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